Prof Colin Cruise

DipAD (Hornsey) PGCE (Middx) MLitt (Keele) PhD (Keele)

Prof Colin Cruise

Professor

Contact Details

Profile

Before starting an academic career in Victorian Studies, Cruise studied Fine Art, specialising in printmaking & painting. His PhD thesis concerns English Literature of the 1890s in relation to religion, art, & gender. He has published widely on aspects of Victorian culture, including 'Versions of the Annunciation' (After the Pre-Raphaelites, MUP 1999); 'Baron Corvo & the Key to the Underworld' (The Victorian Supernatural, CUP 2003); & 'Sincerity & Earnestness: Rossetti's Early Exhibitions' (Burlington Magazine, January 2004). He contributed three entries on Victorian artists to the Dictionary of National Biography. Recent publications include book chapters on Pater (for Macmillan), on Burne-Jones (for the Yearbook of English Studies) & on Simeon Solomon (for Ashgate); he has a forthcoming chapter on drawing in The Cambridge Companion to Pre-Raphaelitism.

Cruise curated the major exhibition Love Revealed: Simeon Solomon & the Pre-Raphaelites (2005-6) - which toured Villa Stuck, Munich, & the Ben-Uri Gallery, London - & organised the accompanying conference for the National Portrait Gallery, London (2006), & the symposium at Yale BAC (2006). The exhibition catalogue was published by Merrell in 2005.

Cruise is a Member of the AHRC Peer Review College (since 2007); a Member of both the AHRC Postgraduate Panel (since 2008) & Collabrative Doctoral Awards Panel (since 2010); & served as Chair of the Association of Art Historians (2004-07). He is a member of the academic advisory panel for a major JISC-funded project to digitise all Pre-Raphaelite works at BMAG & is curator of an international touring exhibition on Pre-Raphaelitism, The Poetry of Drawing (catalogue to be published by Thames & Hudson

Teaching

Publications

Cruise, C 2005, Among the Ruins: Burne-Jones, Browning and Time. in G Pochat & B Wagner (eds), Erzählte Zeit und Gedächtnis: narrative Strukturen und das Problem der Sinnstiftung im Denkmal. ADEVA, pp. 111-124.
Cruise, C 2004, ''Sincerity and Earnestness': D. G. Rossetti's Early Exhibitions 1849-53' Burlington Magazine, vol 146, no. 1210, pp. 4-12.
Cruise, C 2004, Solomon, Simeon (1840- 1905), painter and draughtsman. in Oxford Dictionary of National Biography. Oxford University Press, pp. n/a. DOI: 10.1093/ref:odnb/36185
Cruise, C 2004, Yeames, William Frederick (1835- 1918), painter. in Oxford Dictionary of National Biography. Oxford University Press, pp. n/a. DOI: 10.1093/ref:odnb/48919
Jaffa, SA, Weiner, J, Cruise, CJ & Soloman, FM 2001, 'A certain effeminacy and morbid mysticism': “Late” and “Later” Solomon and his audiences. in From Prodigy to Outcast - Simeon Solomon: Pre-Raphaelite Artist . Jewish Museum London, London, pp. 23-29.
Cruise, CJ 1999, Versions of the Annunciation: Oscar Wilde and the message of beauty . in E Prettejohn (ed.), After the Pre-Raphaelites: Art and Aestheticism in Victorian England. Manchester University Press, Manchester, pp. 167-187.
Cruise, CJ 1996, 'Lovely devils': Simeon Solomon and Pre-Raphaelite masculinity. in E Harding (ed.), Re-framing the Pre-Raphaelites: Historical and Theoretical Essays. Scolar Press, Aldershot, pp. 195-210 .
Cruise, CJ 1996, ‘Artists’ clothes: Some observations on male artists and their clothes in the nineteenth century’. in The Gendered Object . Manchester University Press, Manchester, pp. 112-120.
Cruise, C 2017, Coded Desire. in C Barlow (ed.), Queer British Art 1861-1967. Tate Publishing, London, pp. 24-29, Queer British Art 1861-1967 , London, United Kingdom of Great Britain and Northern Ireland, 2017.
Cruise, C 2016, Introduction. in The Song of Solomon: A Play or Opera founded on The Song of Solomon. The Reading Room Press, Quenington, Gloucestershire, pp. unpaginated.
Cruise, C 2015, 'From the Margins: The Male Bohemian Observer in Mid-Victorian Culture' Visual Culture in Britain, vol 16, no. 2, pp. 137-153. DOI: 10.1080/14714787.2015.1039356
Cruise, C 2014, Afterword. in A Yeates & ST (eds), Pre-Raphaeite Masculinities: Constructions of Masculinity in Art and Literature. The Nineteenth Century, Taylor & Francis, Farnham, Surrey, pp. 213-217.
Cruise, C 2014, 'Composing meanings: Space and invention in Ford Madox Brown’s paintings, 1843-55 ' Visual Culture in Britain, vol 15, no. 3, pp. 334-348. DOI: 10.1080/14714787.2014.945810
Cruise, C (ed.), Cruise, C, Heuser, H, Meyrick, R & Pierse, S 2013, Keith Vaughan: Figure and Ground: Drawings, Prints and Photographs 1935 - 1962. Sansom and Company, Bristol.
Cruise, CJ, Figure and Ground: Keith Vaughan Drawings, Prints and Photographs, 2013, Exhibition.
Cruise, CJ 2013, Experiments in Drawing and Illustration: Vaughan as a graphic artist. in C Cruise (ed.), Figure and Ground: Keith Vaughan- Drawings, Prints and Photographs 1935-1962. Sansom and Company, Bristol, pp. 58-85.
Cruise, C 2012, Pre-Raphaelite drawing. in E Prettejohn (ed.), The Cambridge Companion to the Pre-Raphaelites. Cambridge Companions to Literature, Cambridge University Press, pp. 47-61.
Cruise, C 2011, Strudwick, John Melhuish (1849-1937), painter. in Oxford Dictionary of National Biography. Oxford University Press, pp. n/a. DOI: 10.1093/ref:odnb/67619
Cruise, C 2011, Religion and Sexuality. in S Calloway & L Federle Orr (eds), The Cult of Beauty: The Aesthetic Movement 1860-1900. V&A Publishing, pp. 236-237.
Cruise, C 2011, Walter Pater (1839-1894). in S Calloway & L Federle Orr (eds), The Cult of Beauty: The Aesthetic Movement 1860-1900. V&A Publishing, pp. 60-61.
Cruise, C 2011, 'Drawing and Vision', pp. 122-127, Apollo, CLXXIII 585.
Cruise, CJ 2011, Pre-Raphaelite Drawing. Thames & Hudson.
Cruise, C, The Poetry of Drawing: Pre-Raphaelite Designs, Studies and Watercolours, 2011, Exhibition, Birmingham Museum and Art Gallery.
Cruise, C 2010, Critical Connections and Quotational Strategies: Allegory and Aestheticism in Pater and Simeon Solomon. in E Clements & LJ Higgins (eds), Victorian Aesthetic Conditions: Pater across the Arts. Springer Nature, pp. 68-82.
Cruise, C 2010, ''Sick, sad dreams': Burne-Jones and Pre-Raphaelite Medievalism' Yearbook of English Studies, vol 40, no. 1/2, pp. 121-140.
Giebelhausen, M, Barringer, T, Cherry, D, Codell, J, Corbett, DP, L'Enfant, J, Vaughan, W, Rosenfield, J, Cruise, C & Plampin, M 2009, Poetic, eccentric, Pre-Raphaelite: the critical reception of Simeon Solomon's work at the Dudley Gallery. in M Giebelhausen & T Barringer (eds), Writing the Pre-Raphaelites. Taylor & Francis, pp. 171-191.
Cruise, C 2007, St Johns' Wood Clique (act. 1863-1890). in Oxford Dictionary of National Biography. Oxford University Press, pp. n/a.
Cruise, C 2005, Love Revealed: Simeon Solomon and the Pre-Raphaelites. Merrell Publishers.