Module Information

This course, examining the techniques, materials and tools of the artist¿s trade has been designed specifically for art historians. It aims to provide an insight into how art objects are made through lectures, demonstrations and workshops. It will give a practical introduction to the most commonly encountered materials and techniques, study current practice and historical development, as well as the more radical changes in conventions. Through hands-on
experience, and studying original examples from the University¿s collections of fine and decorative art, students will learn to identify and analyze a wide range of artists¿ materials and techniques. The production of art objects and their appearance are conditional not only upon the social and aesthetic climate, but also dependent upon technological and scientific developments; research in the fields medicine, optics, chemistry, mathematics et al have each contributed to innovations in the production of art. Artists have recognized and exploited the creative potential of new media and processes developed in areas completely independent of art practice. Since artists¿ methods and materials contribute significantly to the appearance of the art object, artists conceive ideas especially for a
process and choose specific materials to help them realize an image. In the twentieth century, more so than in any other period, content and technique are inseparably combined. An understanding of the specific qualities of mark peculiar to each medium and technique, their limitations and creative potential, helps the student of art history to appreciate, interpret and engage in informed discussion about an artist¿s achievements. Thus providing a particular
understanding and insight that is possible through hands-on experience, the module aims to extend the student¿s vocabulary and ways of looking at art and craft. Few British universities have introduced a practical component into the training of art historians and so the School of Art has done so to take advantage of its unusual position teaching art history in the context of an art practice environment. Also mindful of the career prospects of our graduates,
the course will provide valuable practical experience and vocational skills for those who seek employment in museums, auction houses, art galleries and in arts administration.

Lectures, Demonstrations and Workshops

1 Introduction

2 Relief Printmaking / Making a Woodcut

3 Printing a Woodcut

4 Intaglio Printmaking / Making an Etching

5 Printing an Etching

6 Ways of Drawing

7 The Life Class / Life Drawing

8 Photography / Taking Photographs

9 Identifying Old Photographs / Printing Photographs

9 Oil Painting / Painting a Still Life

10 Textiles: Baskets and Weaving

11 Ceramic Techniques / Making a Handbuilt Ceramic