Module Information

Module Identifier
DR21510
Module Title
PRACTICAL STUDIES IN ACTING: PSYCHOLOGICAL REALISM
Academic Year
2008/2009
Co-ordinator
Semester
Available semesters 1 and 2
Pre-Requisite
NOTE: Single Hons students who wish to take Acting 2 (DR22620) must attain at least 55% in this module.
Pre-Requisite
Successful completion of Part 1 Drama.

Course Delivery

Delivery Type Delivery length / details
Practical Practical class 1 x 3 hours per week (Students will be informed of their group allocation)
 

Assessment

Assessment Type Assessment length / details Proportion
Semester Assessment Workshop Development: Attendance, punctuality, commitment and development and progress in workshops.  30%
Semester Assessment Working notebook  20%
Semester Exam Practical Examination  50%

Learning Outcomes

Typically, upon completion of this module, students should be able to:

  • understand the key principles involved in creating a stage character within the broad conventions of psychological realism.
  • employ such principles effectively in the creation of a short character etude.
  • demonstrate an awareness of the relationship between actor and director within the rehearsal room.
  • notate and document the theatrical procedures and training encountered in the module.


Brief description

This module will run twice per session:
Semester One will be for Single Honours Drama students only
Semester Two will be for Joint Honours Drama students only

An introduction into the principles of effective acting, based on the systematic approach to the actor's craft, advocated by Constantin Stanislavski

Content

This module is available to both single- and joint-honours second year Drama students. There is no entry requirement except successful completion of Part 1 Drama. Single-honours students should note that a mark of 55% is required to take DR22620: The Theory and Practice of Acting 2 in the second semester of the second year; joint-honours students should note that a mark of 55% is required to take DR23610: The Theory and Practice of Acting 3 in the second semester of the second year.

Aims

  • To test the value and relevance of these principles within the laboratory of a rehearsal environment under the guidance of the course tutorand to present the outcome in a practical examination.
  • To formulate an individual psycho-technique for rehearsal and performance
  • To keep an analytic record of work undertaken in the form of a working notebook.
For information on due dates for submission of assessed work, please refer
to the departmental web pages at http://www.aber.ac.uk/tfts/duedates.shtml

Reading List

Essential Reading
Barton, John (1984) Playing Shakespeare London: Methuen Primo search Chekhov, Michael (1991) On the technique of acting New York: Harper Collins Primo search Harrap, John (1992) Acting London: Routledge Primo search Stanislavsky, Constantine (1980) An Actor Prepares London: Methuen Primo search Stanislavsky, Constantine (1983) Building a Character London: Methuen Primo search Stanislavsky, Constantine (1983) Creating a Role London: Methuen Primo search

Stanislavsky, Constantine (1980) My Life in Art London: Methuen Primo search The Department has a supplementary booklet recommending reading lists for all practical modules. Primo search

Notes

This module is at CQFW Level 5