Module Identifier DR10300  
Module Title MODES OF PRACTICE: THEATRE, PERFOMANCE & SCENOGRAPHY  
Academic Year 2002/2003  
Co-ordinator Mr Richard A D Cheshire  
Semester Semester 1 (Taught over 2 semesters)  
Pre-Requisite DR10120 , DR10220  
Course delivery Practical   40 Hours 2 hour weekly practical classes  
  Lecture   10 Hours  

Brief description

CONTENT:

Students will encounter improvisation, voice- and movement-work, workshop exercises, and exercises in the interpretation of dramatic texts. They will then work in rehearsals with a director towards a low-budget production. Each student will record and analyse their production process in a learning journal.

Recommended background reading is provided. A list of selected texts for performance will be distributed at the beginning of the academic year.

AIMS:

The aims of the module are

To introduce some key concepts in rehearsal methodology and to apply and test these in a production environment
To provide students with the experience of undertaking a practical investigation into creating and articulating a theatrical narrative, based on a dramatic or non-dramatic text
To encourage students to take responsibility for collaboration and group work within the context of rehearsals, workshops and production
To enable students to analyse and theorize their own experience of the production process

LEARNING OUTCOMES:

Upon completion of this module, students should be able:

to work as a member of a team in the contexts of performance and production;
to understand the problems, possibilities and challenges of interpreting text for performance;
to understand the principles of dramatic narrative
to reflect analytically upon the production process

Reading Lists

Books
** Recommended Background
Hagen, Uta. (1991) A Challenge for the Actor. New York: Macmillan
Berry, Cicely. (1993) Voice and the Actor. 2nd. London: Virgin Publishing
Berry, Cicely. (1993) The Actor and his Text. 2nd. London: Virgin Publishing
Johnston, Keith. (1999) Impro for Storytellers: Theatre Sports and Art of Making Things Happen. London: Routledge
Linklater, Kristin. Freeing the Natural Voice. Drama Books
Callow, Simon. (1991) Acting in Restoration Comedy. New York: Macmillan
Hagen, Uta. (1973) Respect for Acting. New York: Macmillan