Module Identifier | TF31320 | ||
Module Title | SHAKESPEARE ON FILM AND TELEVISION | ||
Academic Year | 2002/2003 | ||
Co-ordinator | Dr Mikel Koven | ||
Semester | Semester 2 | ||
Pre-Requisite | TF10210 , TF31920 | ||
Course delivery | Lecture | 20 Hours Lecture/Seminars | |
Other | Weekly viewing as timetabled | ||
Assessment | Semester Assessment | Essay 1 - 2500 words | 40% |
Semester Assessment | Essay 2 - 2500 words | 60% |
- critically assess the variety and often conflicting analytical paradigms which characterise the study of literary adaptations in general, and Shakespeare in film specifically;
- critically assess who a Shakespearian film is addressing, an discuss how that address is constructed;
- critically assess differing approaches to genre in the Shakespearian film;
- crucially assess the different perspectives between literary/theatre studies notion of the author, within film studies.
- have an understanding of the major critical discourses of film studies (i.e. the auteur theory, classical Hollywood cinema, genre study);
- know the basic terminology that film studies utilise (mise-en-scene, montage, frame, diegetic/non-diegetic sources, etc.);
- are familiar with certain key textbooks; specifically Pam Cook's The Cinema Book and Bordwell and Thompson's Film Art an introduction.