Module Identifier | SG20310 | |||||||||||
Module Title | PROCESS OF SCENOGRAPHY | |||||||||||
Academic Year | 2005/2006 | |||||||||||
Co-ordinator | Mr Simon J Banham | |||||||||||
Semester | Semester 1 | |||||||||||
Pre-Requisite | STUDENTS MUST COMPLETE PART ONE SCENOGRAPHY STUDIES (STUDENTS *MAY* BE ABLE TO ACCESS THIS MODULE ON COMPLETION OF PART ONE DRAMA. ), SG31020 only available to joint honours scenographic studies students | |||||||||||
Co-Requisite | SG20110 and, SG20310 for joint honour scenographic studies | |||||||||||
Course delivery | Lecture | Lecture Practicals | ||||||||||
Assessment |
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To demonstrate understanding of conceptual, investigative and communicative methodologies particular to the process of scenographic composition.
To demonstrate an holistic understanding of the inter-relationship between media-specific elements employed in the process of scenographic composition.
To make a basic usage of a range of computer applications as further communicative and explorative instruments within the process of scenographic composition.
To employ physical notebooks and electronic space as sites for conducting and documenting the process of scenographic composition.
CONCEPTION:
Introduction to module structure / Perception through 2 dimensions: the graphic sequencing of ideas through images
Brief for the group project / Perception through 3 dimensions: understanding object relationships in real space
Initiation of the web-based folio / Perception in the virtual dimension; the manipulation and distribution of computer generated forms
INVESTIGATION:
Interpreting text: methods of responding to a text as a the primary source
Interpreting space: methods of responding to space as the primary source
Interpreting the body: methods of responding to the performer as the primary source
ARTICULATION (physical and digital):
Representing location: object and structure
Representing the figure: daily and extra daily
Representing light: illumination and projection
Representing sound: acoustic and electronic
To examine conceptual, investigative and communicative methodologies particular to the process of scenographic composition.
To develop an holistic understanding of the inter-relationship between media-specific elements employed in the process of scenographic composition.
To initiate the use of computer applications as further communicative and explorative instruments within the process of scenographic composition.
To instigate the use of physical notebooks and electronic space as sites for conducting and documenting the process of scenographic composition.
This module is at CQFW Level 5