Module Identifier
ARM0320
Module Title
VOCATIONAL PRACTICE
Academic Year
2008/2009
Co-ordinator
Professor John Harvey
Semester
Semester 2
Co-Requisite
ARM0460
Pre-Requisite
ARM0130
Other Staff
 

Course Delivery

Delivery Type Delivery length / details
Seminars / Tutorials Seminar 12 x 2 hrs
Seminars / Tutorials Tutorial 1 x 3hrs
Practical 10 x 1 hrs
Other Workshops 3 x 1 hrs
Other
 

Assessment

Assessment Type Assessment length / details Proportion
Semester Assessment Presentation(20 mins), Portfolio 30% Teaching Practice = 30% Web site design 40% Students must achieve a pass aggregate of the assessed components. Failure on aggregate will result in a re-assessment and re-submission of only the failed components.  Course Work:  100%

Learning Outcomes

1. In terms of teaching: comprehend the elements of teaching, design a module, participate in a one-to-one tutorial, either conduct a small-group seminar or deliver a short lecture (Aims: A,B,E)
2. Situate themselves in relation to one or other of the various options for defining professional practice and the idea of 'artist' (Aims: C,D,E)
3. Understand and be equipped in the practicalities and openings of applying to galleries for financial assistance, welf-promotion, securing and staging exhibitions, and studio acquisition and maintenance (Aims: C,D)
4. Write a profile, design and publish a web page, and conduct a short presentation on their work (Aims: D, E)

Relation to Assessment
Outcome 1 is assessed through the Teaching Experience component
Outcome 2 is assessed through the Presentation component
Outcome 4 is assessed through the Web page Design and Written Profile

Brief description

The module prepares students for the practicalities of pursuing and maintaining Fine Art practice outside in the professional world. It identifies several activities or skills relevant to this objective: (a) teaching, (b) exhibition installation, and (c) self-promotion. In terms of: (a) Many artists supplement their income with part-time Fine Art teaching. To this end, the module provides rudimentary training and experience in key aspects art school teaching; (b) The module also recognises that, particularly in the early part of their careers, artists take responsibility the installation of their work in public spaces. In the context of the School's programme of visiting and originated exhibitions, students will be instructed in the technicalities and aesthetic principles of exhibition hanging and management; (c) Student's are also encouraged to develop a concept of self-identity as artists, and practical means by which they and their work may be presented to both the public and gallery curators.

Aims

The module aims to:
objectives

Content

Exhibition Management
Teaching
Self-Identity, -Presentation and -Promotion

Transferable skills

Reading List

General Text
Andrew Lamont and Annabelle Ruston (1996) Artists and Galleries: A Profitable Relationship, Society of London Dealers and Fine Art Trade Guild Primo search Brian Allison, (1986) Index of Studies in Art and Design Education Gower Primo search Eleri Sampson, (1994) The Image Factor: A Guide to Effective Self-Presentation for Career Development Kogan Page Primo search Greater London Arts Association, (1970) Survey of Art Galleries and Exhibition Facilites in the London Boroughss French Primo search Ian Forsyth et al, (1995) Delivering a Course: Practical Strategies for Teachers, Lecturers, and Trainers Kogan Page: Primo search Mentoring in Education, (1994) Mentoring and Tutoring, for Partnership and Learning Trentham Books Primo search Milton K. Beryle, (1973) Selling Your Art Work: A Marketing Guide for Fine and Commercial Artists Barnes, Yoseloff Primo search Steve Mandell (1988) Effective Presentation Skills Kogan Page Primo search Tim McMahon, (1986) Developing Tutoring Skills: Supporting a Staff Development Programme, Longman Primo search
Recommended Text
Cunning, Robert (1995) Encyclopaedia of Picture-Framing Techniques 1993 (2nd edition) Headline Primo search

Notes

This module is at CQFW Level 7