Learning Outcomes
On completion of this module, students should be able to:
1. demonstrate a knowledge of the issues associated with postmodernism in relation to contemporary American literature;
2. employ this specialist knowledge in an extended critical and analytical essay;
3. perform comparative critical analysis at an advanced level of research.
Content
This module will focus on a selection of contemporary American fiction which develops and explores the concerns and characteristics which have been categorised as "postmodern". Issues that will be considered are the representation of the city, the "postmodern comedy", marginality, the function of language and representation, the element of fantasy, and the "engineering" of "postmodern fiction".
_1. Semiotic Cities
Thomas Pynchon, "The Crying of Lot 49" (1966)
_2. The Fate of Comedy
Kurt Vonnegut, "Slaughterhouse Five" (1969)
See also: the novels of John Irving and Richard Brautigan
_3. America's Vietnam
Bobbie Ann Mason, "In Country" (1987)
Tim O'Brien, "The Things They Carried" (1990)
See also: Stephen Wright, "Meditations in Green" (1985); Norman Mailer, "Why Are We In Vietnam" (1967);
Robert Stone, "Dog Soldiers" (1975); Tim O'Brien, "Going After Cacciato" (1978);
and the films "Apocalypse Now", "The Deer Hunter", "Full Metal Jacket", "Dog Soldiers", and "Tracks"
_4. Depletion and Regression: Language and Representation
Kathy Acker, "Eurydice in the Underworld" (1984)
See also: Paul Auster, "The New York Trilogy" (1987); Steve Erickson, "Rubicon Beach" (1986)
_5. Things Falling Apart
Don DeLillo, "Mao II" (1985)
See also: Richard Ford, "The Sportswriter" (1986); William Gaddis, "Carpenter's Gothic" (1986)