Learning Outcomes
On completion of this module, students should be able to:
1. Demonstrate understanding of conceptual, investigative and communicative methodologies particular to the process of scenographic composition.
2. Demonstrate an holistic understanding of the inter-relationship between media-specific elements employed in the process of scenographic composition.
3. Employ a range of computer applications at a basic level as further communicative and exploratory instruments within the process of scenographic composition.
4. Employ physical notebooks as sites for conducting and documenting the process of scenographic composition.
5. Demonstrate an awareness of the strategies employed, procedures followed and role fulfilled by the Scenographer in formulating, presenting and realising production proposals.
Brief description
Through the lecture/workshop series and related assignments an understanding of the inter-relationship between media-specific elements employed in the process of scenographic composition will be developed. The module also examines the use of working notebooks and computer applications as further communicative and explorative instruments within the scenographic process, and as sites for the documentation of this process. The module also introduces students to the application of methodology and skills through observation of a Departmental production process.
Aims
This module, together with SG21120 (Principles of Scenography) establishes the critical context and the theoretical and methodological basis for the Joint Honours scheme in Scenographic Studies at Part Two. Specifically, this module:
- Examines conceptual, investigative and communicative methodologies particular to the process of scenographic composition.
- Develops an holistic understanding of the inter-relationship between media-specific elements employed in the process of scenographic composition.
- Introduces the use of computer applications as further communicative and explorative instruments within the process of scenographic composition.
- Develops the use of physical notebooks as sites for conducting and documenting the process of scenographic composition.
- Evaluates the strategies employed, procedures followed and role fulfilled by the Scenographer in formulating, presenting and realising production proposals.
Content
Lecture/workshops:
Conception:
1. Perception through 2 dimensions : the graphic sequencing of ideas through images.
2. Perception through 3 dimensions: understanding object relationships in real space.
3. Introduction to CAS software/ Perception in the virtual dimension; the manipulation
and distribution of computer generated forms
Reprsentation: physical and digital:
4. Representing location 1: place and context
5. Representing location 2 : object and structure
6. Representing location 3 : mapping and abstracting
7. Representing the figure 1: daily and extra daily
8. Representing the figure 2: daily and extra daily
9. Representing light: illumination and projection
10. Representing sound: acoustic and electronic
Seminars:
1. Project orientation 1
2. Project orientation 2
Tutorials: relating to production process observation:
1. Introduction to the production process. (Aims)
2. Interim analysis of production process. (Strategies)
3. Reflection and analysis. (Outcomes).