Portraiture:Identity

Cod y Modiwl
AH21120
Teitl y Modiwl
Portraiture:Identity
Blwyddyn Academaidd
2026/2027
Semester
Semester 1
Cyd-gysylltydd y Modiwl
Dr Sara Ayres
Rhestr Ddarllen
Gweld ar Aspire
Staff Eraill sy'n Cyfrannu
Miss Eleanor West

Dulliau Asesu

Math o Asesiad

Manylion Asesiad

Cyfran

Asesiad Semester Essay Plan: Plan for an essay on a student-developed topic. To include an object list and bibliography. 1000 Words 20%
Asesiad Semester Essay: Essay on student-developed topic. 2000 Words 80%
Asesiad Ailsefyll Essay Plan: Plan for an essay on a student-developed topic. To include an object list and bibliography. 1000 Words 20%
Asesiad Ailsefyll Essay: Essay on student-developed topic. 2000 Words 80%

Canlyniadau Dysgu

Wedi cwblhau'r modiwl dylai'r myfyrwyr fedru:

  1. Examine works of art and visual culture in their historical, national and sociopolitical contexts.
  2. Discuss the functions, development and canonical status of global portraiture and concepts of identity.
  3. Describe works of art and visual culture effectively and analyse them formally within their social, historical and intellectual contexts.
  4. Carry out art historical research; evaluate, document and cite secondary sources.
  5. Discuss, evaluate and critique the ways that portraits have been exhibited in the past and in our own contemporary moment.

Disgrifiad cryno

This module offers a historic survey of portraiture from Ancient Egyptian sarcophagi up to the present day. It traces the development of the status and meaning of portraiture, and of the human face as a locus of identity.

Lectures will offer a thorough grounding in the history of the portrait and of the many forms the portrait has taken from the ancient world to the contemporary art market. In seminars, we will discuss the philosophical and intellectual concepts of self, other and image that the portrait has both responded to and helped to form.

Cynnwys

Lectures form a chronological survey of the invention and development of portraiture in a global frame. These will show how the genre has changed over time under pressure from developments in politics, society and science, and examine a wealth of portraits from a variety of perspectives. From Renaissance princes, to celebrities, to anthropological documents, to artist self-portraits, to Modernist masterpieces, to feminist interrogations of womanhood within Western society, the course examines artists including Hans Holbein, to Titian, to Gustave Courbet, to Picasso, to Frida Kahlo, to Sonia Boyce and Kehinde Wiley. Media range from marble, oil on canvas, to watercolour and even blood.

In seminars, the intertwining histories of portraiture and identity are examined in terms of their social, political, economic, and psychological drivers; likewise concepts of identity are discussed in relation to key works of art.

Sgiliau Modiwl

Math o Sgiliau

Manylion Sgiliau

Cyfathrebu proffesiynol Articulating and debating ideas in seminar discussions, project tutorials as well as written assignments.
Datrys Problemau Creadigol In responding to questions set for seminar discussions, in essay drafting and revision, as well as in individual tutorials.
Gallu digidol Information retrieval from academic research portals and online museum collection databases.
Meddwl beirniadol a dadansoddol Independent study through research and essay preparation.
Sgiliau Pwnc-benodol Emphasis on professionalism in the presentation and documentation of research.

Nodau

Mae'r modiwl hwn yn cydymffurfio a FfCChC Lefel 5