Dr Guy Baron

Publications

La historia y el cine cubano contemporáneo: una tarea pendiente para las ciencias sociales siglo XXIBaron, G. 2017 Cuban Cinema and the Legacy of Revolution. Baron, G. & Stock, A. M. (eds.). I.B. Tauris, p. 1-66 p. (World Film Series)
El camino circular: Cine Nacional - Cine GlobalBaron, G. 2017 Cuban Cinema and the Legacy of Revolution. Baron, G. & Stock, A. M. (eds.). I.B. Tauris, p. 243-26119 p. (World Cinema Series)
De la comunidad al mundo: Una mirada al individuo creador dentro del colectivo audiovisual Televisión Serrana.Baron, G. 2017 Cuban Cinema and the Legacy of Revolution.I.B. Tauris, p. 281-29515 p. (World Cinema Series)
The Cinema of Cuba: Contemporary Film and the Legacy of RevolutionBaron, G. L. & Stock, A. M. 2017 I.B. Tauris. 250 p. (Tauris World Cinema Series)
Cuban Cinema at the start of the new millennium: dysfunction, isolation and the struggle for identityBaron, G. 2017 The Cinema of Cuba: Contemporary Film and the Legacy of the Revolution. Stock, A. M. & Baron, G. (eds.). I.B. Tauris, p. 30-5626 p. (World Cinema Series)
IntroductionBaron, G. 2017 The Cinema of Cuba: Contemporary Film and the Legacy of the Revolution. Baron, G. & Stock, A. M. (eds.). I.B. Tauris, p. 100-11212 p.
Breves notas para un historia del cine cubano, 1959-2012.Baron, G. 2017 The Cinema of Cuba: Contemporary Film and the Legacy of the Revolution. Baron, G. & Stock, A. M. (eds.). I.B. Tauris, p. 7-2922 p. (World Cinema Series)
Los trenes del silencioBaron, G. (Translator) 2017 The Cinema of Cuba: Contemporary Film and the Legacy of the Revolution. Baron, G. & Stock, A. M. (eds.). I.B. Tauris, p. 262-28321 p. (World Cinema Series)
Cuban Cinema: Crisis or TransitionBaron, G. 2016
Access Online: Internet Governance and Image in CubaBaron, G. & Hall, G. 2015 In : Bulletin of Latin American Research.34, 3, p. 304-355
‘El transnacionalismo, la emigración y las complejidades de un orden social cambiante en Habana Blues de Benito Zambrano (2005).’Baron, G. 2015
Film locations and the representation of gender in Cuban cinemaBaron, G. L. 2014 World Film Locations - Havana. Stock, A. M. (ed.). Intellect, (World Film Locations)
Cuban digital identity: A summary of recent evidenceBaron, G. 2014
Sites of gender in Cuban cinemaBaron, G. 2014 World Film Locations. Havana. Stock, A. M. (ed.). Bristol, UK: Intellect, (World Film Locations)
Exploring Cuba’s emerging digital social identity.Baron, G. & Hall, G. 2014
El cine cubano y los sitios de géneroBaron, G. 2013 In : Revista Cine Cubano.189-90, p. 120-1245 p.
Banal Nationalism in Contemporary Cuban CinemaBaron, G. L. 2013
'Sin miedo a buscar un espacio crítico: descubriendo lo posmoderno en el cine cubano.'Baron, G. L. 2012 In : Revista Cine Cubano.183, p. 38-447 p.
‘La ilusión de igualdad: machismo y cine cubano de la Revolución.’Baron, G. L. 2011 In : Revista Cine Cubano.181-182, p. 45-5611 p.
The Fractured Woman in Cuban Cinema. ¡Plaff! (o demasiado miedo a la vida)Baron, G. 2011
Gender in Cuban Cinema: From the Modern to the PostmodernBaron, G. 2011 Oxford: Peter Lang. 334 p. (Hispanic Studies: Culture and Ideas; vol. 38)
The 'fractured' female subject in Cuban cinema at the threshold of change. The case of Mujer transparenteBaron, G. 2011 Seeing in Spanish: From Don Quixote to Daddy Yankee, 22 Essays on Hispanic Visual Cultures. Prout, R. & Altenberg, T. (eds.). Newcastle: Cambridge Scholars Publishing, p. 192-20514 p.
The Struggle for Identity in Contemporary Cuban CinemaBaron, G. 2011
A Space for Criticism in Contemporary Cuban CinemaBaron, G. 2011
Not Afraid to search for a Critical Space: Discovering the Postmodern in Cuban Cinema. The Case of ¡Plaff! (o demasiado miedo a la vida)Baron, G. 2011 In : Romance Studies.29, 1, p. 54-6512 p.
La mujer perfecta dentro de un cine imperfecto? La posibilidad de una visión alternativa.Baron, G. 2010 In : Revista Cine Cubano.177-178, July-December 2010, p. 81-9010 p.
La mujer perfecta dentro de un cine imperfecto? La posibilidad de una visión alternativaBaron, G. 2010
Cuban Cinema of the New Millennium: Identity, Isolation, Dysfunction and the search for UtopiaBaron, G. 2010
The Illusion of Equality: Machismo and Cuban Cinema of the RevolutionBaron, G. 2010 In : Bulletin of Latin American Research.29, 3, p. 354-366
Postmodern, Postfeminist, Post-Marxist? The Cultural Logic of Late Marxism: Cuban Cinema at the Threshold of Change. The Case of Mujer transparenteBaron, G. 2008
Book review of Eduardo González, Cuba and the Tempest, Literature and Cinema in the Time of DiasporaBaron, G. L. 2007 Caribbean Studies, 35, 1, p. 277-280