Publications

2017

Roms, H. 2017. Eventful Evidence: Historicising Performance Art. In B. Büscher., F. Cramer. (eds) Fluid Access: Archiving Performance-Based Arts. Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Schriften, no. 12 University of Music and Theatre Leipzig, Leipzig pp. 94. Cadair

2016

Roms, H. 2016. Zur Performativität der Oral History von Performance-Kunst. [On the performativity of an oral history of performance art.] In S. Gebhardt Fink., M. Mathis., M. von Büren. (eds) Aufzeichnen und Erinnern. Performance Chronik Basel (1987–2006). Diaphanes, Zürich pp. 31–41. Cadair

2015

Roms, H. 2015. Mind the Gaps: Evidencing Performance and Performing Evidence in Performance Art History. In C. Cochrane., J. Robinson. (eds) Theatre History and Historiography: Ethics, Evidence, and Truth. Springer Nature, Basingstoke pp. 163–181. Cadair

Roms, H. 2015. Remembering Adam on St Agnes’ Eve. In H. Roms. (ed) Silent Explosion: Ivor Davies and Destruction in Art. Occasional Papers, London pp. 112–121. Cadair

Roms, H. 2015. Glossary: Infrastructure and Narration. Performance Research 20 (4) pp. 127–133. Cadair

Roms, H. 2015. Silent Explosion: Ivor Davies and Destruction in Art. Occasional Papers, London Cadair

2014

Pearson, M., Roms, H.P. 2014. Performing Cardiff: Six Approaches to a City and its Performance Past. In N. Whybrow. (ed) Performing Cities . Springer Nature, Basingstoke pp. 120-140. Cadair

Roms, H. 2014. Histories and Practices of Live Art edited by Deirdre Heddon and Jennie Klein. Basingstoke and New York: Palgrave Macmillan, 2012, 248 pp, ISBN 9780230229747 (paperback). Contemporary Theatre Review 24 (3) pp. 396–397. Cadair

Pearson, M., Roms, H. 2014. Performing Cardiff: Six Approaches to a City and Its Performance Pasts. In N. Whybrow. (ed) Performing Cities. Palgrave Macmillan UK pp. 120-138.

2013

Roms, H., Pearson, M. 2013. Marking Time – a journey into Cardiff’s performance pasts. Experimentica 2013. Cadair

Roms, H. 2013. Archiving legacies: Who cares for performance remains? In G. Borggreen., R. Gade. (eds) Performing Archives/ Archives of Performance. PSi Books University of Chicago Press pp. 35-52. Cadair

Roms, H.P. 2013. Künstlerisch-wissenschaftliche Forschung in den Ruinen der Universität: Performance als wissenschaftliche Veröffentlichungsform. [Artistic-scholarly research in the 'University in Ruins'] In S. Peters. (ed) Das Forschen aller. Artistic Research als Wissensproduktion zwischen Kunst, Wissenschaft und Gesellschaft. transcript, Bielefeld pp. 205-224. Cadair

Roms, H. 2013. "It was forty years ago today...": Locating the Early History of Performance Art in Wales 1965-1979. In D. Johnson. (ed) Critical Live Art: Contemporary Histories of Performance in the UK. Taylor & Francis Cadair

Roms, H., Edwards, R. 2013. Toward a Prehistory of Live Art in the UK. In D. Johnson. (ed) Critical Live Art: Contemporary Histories of Performance in the UK. Taylor & Francis pp. 31-45.

2012

Roms, H.P. 2012. Great Britain; Festival of Misfits; Fluxconcert by and for Fluxus. In P. Stegmann. (ed) The Lunatics are on the loose: European Fluxus Festivals 1962-1977. The lunatics are on the loose... European Fluxus Festivals 1962-1977. Down With Art!, Berlin pp. 10; 107-122; 427-439. Cadair

Roms, H., Stegman, P., Delin Hansen, E., Van der Meijden, P., Riviere, H., Ugelstad, C. 2012. The lunatics are on the loose... European Fluxus Festivals 1962-1977 (Exhibitions, Conferences, Actions, Publications). The lunatics are on the loose... European Fluxus Festivals 1962-1977. Cadair

Roms, H., Edwards, R. 2012. Towards a Prehistory of Live Art in the UK. Contemporary Theatre Review 22 (1) pp. 17-31. Cadair

2011

Roms, H.P. 2011. What’s Welsh for Performance? Beth yw ‘Performance’ yn Gymraeg? website. Cadair

Roms, H., Edwards, R.J. 2011. Oral History as Site-Specific Practice: Locating the Early History of Performance Art in Wales 1965-1979. In S. Trower. (ed) Place, Writing, and Voice in Oral History . Palgrave Studies in Oral History Springer Nature pp. 171-192. Cadair

Roms, H., Edwards, R. 2011. Oral History as Site-Specific Practice: Locating the History of Performance Art in Wales. In S. Trower. (ed) Place, Writing, and Voice in Oral History. Palgrave Studies in Oral History Springer Nature pp. 171-192. Cadair

Roms, H.P. 2011. How to Build an Arts Centre? A Guided Audio-Tour. Cadair

2010

Daniels, S., Pearson, M., Roms, H.P. 2010. Editorial: Fieldworks. Performance Research 15 (4) 1 pp. 1-5. Cadair

Roms, H. 2010. Remembering Performance - Performing Memory: An Oral History of Performance Art in Wales. In M. Leclercq., L. Rossion., A. R. Jones. (eds) Capter l'essence du spectacle - Capturing the Essence of Performance: Proceedings of the Congres de Glasgow SIBMAS Glasgow Congress 2008. Peter Lang pp. 209-220. Cadair

Roms, H. 2010. Das Ereignis als Evidenz, die Evidenz als Ereignis: Zur Geschichtsschreibung der Performance Art. [Event as Evidence, Evidence as Event: On the Historiography of Performance Art.] MAP- Media, Archive,Performance (2) Cadair

Roms, H.P. 2010. The Lure of the Local, the Seduction of the Global: Locating Intermediality in Eddie Ladd's Scarface*. In M. Sihra., P. Koski. (eds) The Local Meets The Global in Performance. Cambridge Scholars Publishing pp. 65-80. Cadair

Roms, H. 2010. The Practice Turn: Performance and the British Academy. In H. Roms., J. McKenzie., C. J. W. -. Wee. (eds) Contesting Performance: Global Sites of Research. Performance Interventions Springer Nature pp. 51-70. Cadair

2009

McKenzie, J., Roms, H., Wee, C.J.W.-. 2009. Contesting Performance: Global Sites of Research. Performance Interventions 1st edn, Springer Nature Cadair

McKenzie, J., Wee, C.J.W.-., Roms, H. 2009. Introduction: Contesting Performance in an Age of Globalization. In H. Roms., J. McKenzie., C. J. W. -. Wee. (eds) Contesting Performance: Global Sites of Research. Performance Interventions Springer Nature pp. 1-22. Cadair

Gritzner, K., Primavesi, P., Roms, H.P. 2009. On Dramaturgy. Performance Research 14 (3) 1 pp. 1-2. Cadair

2008

Roms, H. 2008. Aberystwyth in Flux 1968-2008. Aberystwyth in Flux 1968-2008. Cadair

Roms, H. 2008. Eventful Evidence: Historicizing Performance Art. Maska 23 (117-118) pp. 69-77. Cadair

Roms, H. 2008. Mapping Performance Art in Cardiff. Mapping Performance Art in Cardiff. Cadair

Roms, H. 2008. What Substance is Substance? – André Stitt’s Material Performances. In A. Stitt. (ed) Substance: Residues, Drawings & Partial Objects 1976-2008. Spacex pp. 12-19. Cadair

Roms, H. 2008. What's Welsh for Performance? Constructing an Archive of Performance Art in Wales. Cyfrwng 5 pp. 54-72. Cadair

Roms, H., Greenhalgh, B., Hassall, L., Hunter, R., Stitt, A., Babot, P. 2008. Trace Dis:placed. Trace Dis:placed. Cadair

Roms, H.P. 2008. What's Welsh for Performance? - An Oral History of Performance Art in Wales 1968-2008. Trace: Samizdata Press Cadair

Roms, H. 2008. Performance Drawing. Cadair

2007

Roms, H. 2007. Staging an Urban Nation: Place and Identity in Contemporary Welsh Theatre. In N. Holdsworth., M. Luckhurst. (eds) A Concise Companion to Contemporary British and Irish Drama. Wiley pp. 107-124.

Roms, H. 2007. Remembering Performance: Heike Roms in conversation with Ivor Davies. In H. McIver. (ed) Platform TRI/3: Contemporary Performance Practice in Wales. Wales Arts International pp. 13-17. Cadair

Roms, H. 2007. Performance and Protest. Cadair

Roms, H. 2007. Performance Archives Performance: Flashes from the Archives of Oblivion: Stuart Brisley, Ian Hinchliffe, Alastair MacLennan, Tatsumi Orimoto. Cadair

2006

Roms, H. 2006. Eye and Ear, Foot and Mouth; Mapping Performance in three journeys and one withdrawal. In J. Christie., R. Gough., D. P. Watt. (eds) A Performance Cosmology: Testimony from the Future, Evidence of the Past. Taylor & Francis, London pp. 10-14. Cadair

Roms, H. 2006. Footnotes: Four walks in the company of Simon Whitehead. In S. D. Whitehead., H. Roms., W. Heim., D. Williams., D. Johnson. (eds) Walking to Work. Shoeless Publications, Abercych Cadair

Roms, H. 2006. Encountering Memory: Acco Theatre Center's Arbeit macht frei MiToitland Europa. In J. Kelleher., N. Ridout. (eds) Contemporary Theatres in Europe: A Critical Companion. Taylor & Francis pp. 47-60.

Roms, H. 2006. From map to Trace; Situating performance in Wales. In A. Stitt., J. Bacon., H. Roms., J. Durham. (eds) Trace: Installation Art Space, Cardiff 00-05. Seren Books, Bridgend pp. 14-36. Cadair

Roms, H. 2006. An Oral History of Performance in Wales – Hanes Llafar Celfyddyd Perfformio yng Nghymru (2006-2008). Cadair

2004

Roms, H. 2004. Performing Polis: Theatre, Nationness and Civic Identity in Post-Devolution Wales. Studies in Theatre and Performance 24 (3) pp. 177-192.