Module Information

Module Identifier
EL10500
Module Title
INTRODUCTION TO EUROPEAN FILM
Academic Year
2008/2009
Co-ordinator
Semester
Semester 1
Other Staff

Course Delivery

Delivery Type Delivery length / details
Lecture 10 Hours.
Other 10 Hours. Seminar
 

Assessment

Assessment Type Assessment length / details Proportion
Semester Assessment (4 assessed essays of a comparative nature [1,000-1,500 words each])  Continuous Assessment:  100%
Supplementary Exam 1 x 2 hour examination if continuous assessment submitted. 1 x 3 hour examination if no continuous assessment submitted.  100%

Learning Outcomes

On successful completion of this module students should be able to:

Students will have a thorough grounding in the cultural history of film-making in Europe. They will be familiar with the political and social contexts in which these films were made, and they will have a good general knowledge of major film-makers. They will also have developed their skills in the field of comparative study.

Brief description

This module is intended for students who are interested in the film history and culture of Europe. The module provides an opportunity for students to learn about the development of film in Europe and in particular countries. Lectures will outline the major social and political changes which were influential in the making of these countries' films, and seminars will be of a comparative nature, thereby allowing students to develop and express their own understanding of European film in the production of a dossier which will be submitted as part of their continuous assessment. A series of twelve film screening (with subtitles) will run parallel with the lectures, and all of the films will be available on the computer server for easy and repeated viewing by the students. Second and third year modules in Spanish, French and German cinema already complement this module, though the introduction of this module will also prompt the restructuring of those modules (and the gradual introduction of others) in the creation of a new degree scheme in European Film Studies that will most likely be complemented by studies in languages and/or theoretical film studies.

Reading List

Essential Reading
Millicent Marcus (Italian) (1986) Italian Film in the Light of Neorealism Princeton University Press Primo search Miriam Liehm (Italian) (1984) Passion & Defiance. Film in Italy from 1942 to the present Univ. of California Press Primo search
Recommended Text
A. Bazin (Italian) What is cinema? Univ. of California Press Primo search Pierre Sorlin (Italian) (1996) Italian National Cinema 1896-1996 Routledge Primo search
Recommended Background
Agamben, Giorgio (1998) Image et Memoire (French) Hoebeke Primo search Armes, Roy (1970) French Cinema since 1946 (French) Zwemmer Ltd Primo search Bondanella Peter (1982) Italian cinema from Neorealism to the Present Frederick Ungar Frederick Ungar Primo search Braudy, Leo (ed) (1992) Film Theory and Criticism Oxford University Press Primo search Brown, Royal Focus on Godard (French) Englewood Cliffs: Prentice-Hall Primo search Cook, David (1996) A History of Narrative Film USA: W W Norton Press Primo search Debord, Guy (1999) In girum imus nocte et consumimur igni (French) Gallimard Primo search Debord, Guy (1992) La societé du spectacle (French) Gallimard Primo search Durgnat, Raymond Nouvelle Vague: The First Decade (French) London: Motion Publications Primo search Ed. Geoffrey Nowell-Smith (1996) The Oxford History of World Cinema Oxford University Press Primo search Ed. R Dryer & G Vincendeau (1992) Popular European Cinema Routledge Primo search Edwards, Gwynne (1995) Indecent Exposures London: Marion Boyars Primo search Edwards, Gwynne (1982) The Discreet Art of Luis Buñuel Marion Boyars Primo search Eisner, Lotte H (1973) The Haunted Screen (German) Oxford Primo search Elsaesser, Thomas (1989) New German Cinema (German) New Brunswick Primo search Forbes, Jill (1989) The Cinema in France (French) Routledge Primo search Frodon, Jean-Michel (1995) L'Age Moderne du cinema français (French) Flammarion Primo search Graham, Peter (ed) The New Wave: Critical Landmarks (French) London: BFI Primo search Havard, Robert (2001) The Crucified Mind Tamesis Primo search Hayward, Susan (1993) French National Cinema (French) London: Routledge Primo search Hopewell, John (1986) Out of the Past: Spanish Cinema after Franco (Spanish) London: BFI Books Primo search Ibarz, Mercè (1999) Buñuel documental, 'Tierra sin pan' y sutiempo Zaragoza Primo search Jordan, Barry and Morgan-Tamosunas, Rikki (1998) Contemporary Spanish Cinema Manchester University Press Primo search Kinder, Marsha (1993) Blood Cinema. Berkeley and Los Angeles, California University Press Primo search Kracauer, Siegfried (1947) From Caligari to Hitler (German) Princeton Primo search Manvell, Roger (1973) The Masterworks of German Cinema London Primo search Monaco, James (1976) The New Wave (French) New York: OUP Primo search Sandford, John Chaos and Control in the Weimar Film (German) pp. 311-23 German Life and Letters, 48 Primo search Sorlin, Pierre (1991) European Cinemas, European Societies 1939-1990 Routledge Primo search Sorlin, Pierre (1996) Italian National Cinema 1896-1996 London, Routledge Primo search Stone, Rob (2001) Inside Film: Spanish Cinema Longman Primo search Thompson, Kristin & Borwell, David (1994) Film History. An Introduction McGraw Hill Primo search Vincendeau, Ginette (eds) (1996) The Companion to French Cinema (French) London: BFI Primo search

Notes

This module is at CQFW Level 4