|Module Title||SOUND DESIGN THEORY AND PRACTICE|
|Co-ordinator||Mr Nick Strong|
|Semester||Intended for use in future years|
|Next year offered||N/A|
|Next semester offered||N/A|
|Seminars / Tutorials||Tutorial.|
|Further details||For information on due dates for submission of assessed work, please refer to the departmental web pages at http://www.aber.ac.uk/tfts/duedates.shtml|
Typically, on completion of the module students should be able:
- To conceive, create and implement a complex and sophisticated sound design for public performance.
- To demonstrate an extensive and integrated understanding of, and response to, the equipment, software, systems and associated operational skills required for the creation, implementation and performance of contemporary theatre or performance sound design.
- To demonstrate a sophisticated understanding and analysis of the creative, research, planning and performance processes and theory relevant to contemporary theatre and performance sound design and, where relevant, its relationship with other elements of design.
An analysis and review of the major concepts, characteristics, functions of sound in relation to live performance. For example, students will look at how different sounds in a given performance might be classified.
A review and examination of the design and technical requirements for the use of sound in live performance. For example, students will consider how different types of performance will create different challenges and questions for the sound designer, and go on to examine possible methodologies and solutions to resolve them.
Preparation of a soundscape examining and analysing the underlying creative processes, chronology, structure and planning involved. Students will gain significant experience in the use of the relevant equipment, and have an opportunity to use it creatively, emphasising the importance of both imagination and realisation.
This module is at CQFW Level 5