| Module Identifier | WR30520 | 
| Module Title | EXPERIMENTAL WRITING | 
| Academic Year | 2003/2004 | 
| Co-ordinator | To Be Arranged | 
| Semester | Intended for use in future years | 
| Next year offered | N/A | 
| Next semester offered | N/A | 
| Assessment | 
| Assessment Type | Assessment Length/Details | Proportion | 
|---|
 | Semester Assessment | Two portfolios of writing (each 2500-3000 words). | 100% |  | 
Learning outcomes
At the end of the module, students should typically be able to:
- demonstrate an understanding of the experimental in past and present writing in a variety of forms and genres
- demonstrate an understanding of the literary, cultural and socio-historical contexts in which literature is written and read
- demonstrate their critical and creative skills
- demonstrate an ability to experiment in a range of forms and genres
Brief description
This module will engage with the following issues: what constitutes an experiment in writing? Do we simply mean that the writing before us does not conform to the forms and styles we are used to reading? Does a conventional form of expression in one literary tradition appear revolutionary when it is translated into another culture? Or is writing that is truly experimental a way of creating and perceiving a different kind of reality? This module introduces writing students to a variety of experimental writing, both in poetry, theory and prose and to writing that blurs the distinctions between all three.
Aims
- to develop students' understanding of the idea of the experimental in past and present writing in a variety of forms and genres
- to develop understanding of the literary, cultural and socio-historical contexts inwhich literature is written and read
- to develop students' critical and creative skills
- to enable students to experiment in a range of forms and genres
Content
There will 10 x 2 hour workshops
Reading Lists
Books
** Consult For Futher Information
Italo Calvino (1972) Invisible Cities 
1997. Vintage
** Essential Reading
Emily Dickinson (1982) The Complete Poems 
Faber and Faber
M Nourbese Philip (1993) she tries her tongue, her silence softly breaks 
The Women's Press
Gertrude Stein (1967) Look at Me Now and Here I am:  Writing and Lectures 1909-1945 
Penguin
Notes
This module is at  CQFW Level 6