Dr Margaret Ames BA (Llundain) MA (Cymru) PhD (Aberystwyth)
Please note: The Welsh version of this profile contains additional or more detailed information.
Artistic Director of Dawns Dyfed community dance project for the west of Wales 1987 - 2007. Performer and devisor with Brith Gof. Senior registered dance Movement Therapist with ADMPUK.
- TPM1660 - Research Project / Dissertation
- TP11420 - Site-Specific Performance Project
- TP35520 - Ensemble Performance Project
- TPM1820 - Engaging Publics
- TC20820 - Dadansoddi Symud
- TC11120 - Dadansoddi Digwyddiad
- TC36040 - Prosiect Ymchwil Annibynnol
- TC36000 - Prosiect Ymchwil Annibynnol
- TP11520 - Thinking Theatre 2: Analysing Performance
Margaret's area of research is Performance and Disability with a particular interest in work made by and with people with learning disabilities. Aberystwyth based dance-theatre company Cyrff Ystwyth form the focus of this enquiry and they produce new work every year at Aberystwyth University.
Devising Theatre, particularly in a Welsh cultural context. Disability and performance. Director/producer for Cyrff Ystwyth Dance Company, who participate in long term practice based research project.
Co-Investigator with Central School of Speech and Drama University of London on AHRC funded project. 'Challenging 'Liquid' Place'.
Member of International Federation of Theatre Research Working Group: Performance and Disability.
Presented at inaugural meeting of Performance and Disability Working Group at the Hemispheric Institute Encuentro 2014.
Guest Contributor to NO LIMITS Berlin, festival symposium 2013 and 2015 with members of Cyrff Ystwyth
Capel: The Lights are On: A Conversation...Margaret Ames and Mike Pearson. Research in Drama Education: The Journal of Applied Theatre and Performance 21 (4) pp. 492-505. pp. 492-505.2016.
Mindful Bodies: Theory and Practice in Undergraduate Theatre Studies.2015.
Review of Disability, Public Space Performance and Spectatorship: Unconscious Performers. Bree Hadley (2014). Performing Ethos 4 (2) 5 pp. 139-141. pp. 139-141.2015.
Dancing Place/Disability. Theatre Research International 40 (2) 4 pp. 170-185. pp. 170-185.2015.
Everyone Knows Something.2015.
Scenes and Encounters, Bodies and Abilities: Devising Performance with Cyrff Ystwyth. In (eds) Occupying Disability: Critical Approaches to Community, Justice, and Decolonizing Disability. Springer Nature, Netherlands pp. 97-114. pp. 97-114.2015.
Gwrando ar Stravinski | Listening to Stravinsky: Defod y Gwanwyn | Rite of Spring.2014.
The Old Days.2014.
Corff a Chymuned. In (eds) Ysgrifau ar Theatr a Pherfformio. Gwasg Prifysgol Cymru | University of Wales Press, Caerdydd pp. 181-200. pp. 181-200.2013.
Twenty Years in Hospital.2013.
It's a ghost: The uncanny in rural Welsh identity. Studies in Theatre and Performance 33 (1) 2 pp. 29-38. pp. 29-38.2013.
Capel: The Lights are On: Performance by Adrian Jones with Cyrff Ystwyth, in which Ames is principal research investigator and director, and part of the AHRC project 'Challenging Concepts of 'Liquid' Place through Performative Practices'. Jones shaped the output in response to the research questions about how he and other members of the company Cyrff Ystwyth perceive issues of belonging, dislocation, and place.2012.
Performing between Intention and Unconscious Daily Gesture. How Might Disabled Dancers Offer us a New Aesthetic Sensibility? About Performance 11 pp. 143-158. pp. 143-158.2012.
Memory, identity and a desire to dance. Performance Research 17 (2) pp. 121-127. pp. 121-127.2012.
It’s a Ghost!: The Uncanny in Welsh Rural Identity.2012.
Psychedelia: A Performance by Edward Wadsworth with Cyrff Ystwyth in which Ames is principal research investigator and director. This work contributes to the enquiry into how elements of the autobiographical, embodied by disabled and untrained performers, might react with the discourse of theatre and performance. .2011.
Working with Adrian Jones, dance artist. Journal of Arts and Communities 2 (1) pp. 41-54. pp. 41-54.2011.
Blodeuwedd. Somatic Efforts in Directing: A Political Imperative? Cyfrwng 7 pp. 38-56. pp. 38-56.2010.
Prosiect Archif Brith Gofa Theatr Felinfach.2010.
Untrained Beauty – A Political Imperative?2009.
A Thousand Miles Apart. 11 pp. 202-209. pp. 202-209.2006.
Cultural Concerns and Creative Responses by and with Young People. Cyfrwng pp. 75-90. pp. 75-90.2006.
Gwahaniaeth a Chwylio am yr Hybryd Diwylliannol.2005.
Mil o Filltiroedd ar Wahan.2005.