Dr Andrew Filmer
Lecturer in Drama, Theatre and Performance
BA Hons Class 1 (Sydney); PhD (Sydney); PGCTHE (Wales); FHEA
Curriculum Leader for Drama, Theatre and Performance
- TP11020 Studying Theatre 1
- TP11320 Studying Theatre 2
- TP11420 Making Theatre 2: Site Project
- TP21220 Acting
- TP32820 Place, Space and Landscape
- TP35220 Performance, Politics and Protest
- TP36000 Independent Research Project
- TPM1120 Theoretical Practices (MA)
- TPM1420 Research Practices (MA)
- TPM1660 Research Project/Dissertation (MA)
My current research interests focus on two distinct projects: one exploring the multiple sites of encounter between theatre, performance and architecture and the other examining artistic engagements with contemporary running cultures. The first explores the relationships that exist between theatre, performance and architecture within an ‘expanded field’ of spatial and artistic practice, focussing on contemporary theatre projects and interdisciplinary practices and pedagogies. In the second I am interested in how contemporary artists are using running as a mode of aesthetic enquiry and expression to explore ideas of subjectivity, agency, collectivity and mobility, on how running functions as contemporary performance and social action, and what theatre and performance studies might gain by engaging with the aesthetics of sporting activity.
More broadly my research interests include issues of space, place, location and spectatorship in contemporary theatre and performance, especially the dramaturgical logics and spectatorial practices inherent in site-specific and located performance. Previously my research has focussed on theatre architecture, examining performers’ experiences and practices in the backstage spaces of theatre buildings.
- Dr Mike Brookes, ‘On a clear day you can see for ever …: Mediation as form and dramaturgy in located performance’ PhD by published works: successfully completed 2015
- Polly Walker-Penn, 'Seeing Red: Re-imagining Conservation in Times of Ecological Crisis’, KESS funded MPhil, awaiting examination
- Wei-Juei Hsieh, ‘Bajiajiang as Religious Theatre: Belief, People and Transformation of a Ritual Practice’, PhD in progress: commenced 2008
I joined the department in February 2008 having previously taught at the University of Sydney, the University of New South Wales and the University of Western Sydney. I gained my PhD from the Department of Theatre and Performance Studies at the University of Sydney in 2006.
Co-convenor (with Dr Juliet Rufford) of the Fédération Internationale pour la Recherche de Théâtre / International Federation of Theatre Research (FIRT / IFTR) Theatre Architecture Working Group (2012 to the present).
The purpose of the Theatre Architecture Working Group is to explore all that theatre architecture has been historically, is at present, and might be in the future. We consider built projects alongside unbuilt or speculative architectures, studying these from a wide range of practical and theoretical perspectives. We continue to investigate the ways in which space can be manipulated to bring performers and spectators into dynamic relationship inside traditional theatre auditoria, while also asking how else the disciplines of theatre and architecture inter-sect. We seek to develop theoretical paradigms appropriate to theatre and architecture and to the relationship between them – articulating the many contemporary sites of exchange between these fields and re-examining historical encounters in the light of recent developments in spatial theory, architecture theory and practice, and performance studies. Further information on the working group is available from our blog site: http://www.firt-iftr.org/working-groups/stage-forms/theatre-architecture
With Dr Juliet Rufford I have organised the Working Group meetings at the Barcelona (2013), Warwick (2014) and Hyderabad (2015) IFTR conferences. In addition we curated the Shared Practice and Shared Pedagogies events at The 2015 Prague Quadrennial of Performance Design and Space.
Member of the Running Cultures Research Network
Coriolan/us and the limits of ‘immersive’. In J. Frieze (ed), Framing Immersive Theatre and Performance. Palgrave Macmillan2016. (In press)
Watching, waiting, listening: Audio Obscura and the perceptual ecology of non-place. About Performance (14/15)2016. (In press)
Architecting the Theatre Machine. Performance and Politics (PPi) Research Centre One-Day Symposium on ILIAD, Aberystwyth, United Kingdom of Great Britain and Northern Ireland, 27/10/2015 - 27/10/2015.2015.
Framing Encounters: Users, Occupants, Spectators, Participants. Shared Practice: A day of public talks, video shorts, exhibitions, and performance interventions, Prague , Czech Republic, 26/06/2015 - 26/06/2015. Other2015.
Mindful Bodies: Theory and Practice in Undergraduate Theatre Studies. Aberystwyth University Learning & Teaching Conference, Aberystwyth, United Kingdom of Great Britain and Northern Ireland, 08/09/2015 - 10/09/2015.2015.
Motion Capture. Like the wind pp. 79-80.2015.
Performing Site-Specific Theatre: Politics, Place, Practice, edited by Anna Birch and Joanne Tompkins (Basingstoke: Palgrave Macmillan, 2012). Performance Paradigm Other2015.
Audio Obscura: Experiencing the Architecture of Audio Performance. FIRT-IFTR World Congress, Warwick, United Kingdom of Great Britain and Northern Ireland, 28/07/2014 - 01/08/2014.2014.
On the Move: Action, Location, Relation. RUN RUN RUN! AN INTERNATIONAL FESTIVAL OF RUNNING 1.0 #r3fest, London, United Kingdom of Great Britain and Northern Ireland, 26/06/2014 - 26/06/2014. Other2014.
Materiality and Reverberation: Sensory immersion in Coriolan/us. IFTR Conference: Re-Routing Performance / Re-Caminant L’escena, Barcelona, Spain, 22/07/2013 - 26/07/2013.2013.
On the Move: The Performance of Running. TaPRA Conference, Glasgow, United Kingdom of Great Britain and Northern Ireland, 04/09/2013 - 06/09/2013.2013.
2012. Design, Space and Performance in Australia and New Zealand. Australasian Drama Studies 61 Other
Purposeful assemblage: Practicing location in National Theatre Wales. Annual Conference of the Association for Welsh Writing in English, United Kingdom of Great Britain and Northern Ireland, 30/03/2012 - 01/04/2012.2012.
Re-imagining Suburbia with My Darling Patricia. Australasian Drama Studies 61 pp. 30-47.2012.
Watching, Waiting, Listening: A Perceptual Ecology of Non-place. PSi 18 Performance :: Culture :: Industry, Leeds , United Kingdom of Great Britain and Northern Ireland, 27/06/2012 - 01/07/2012.2012.
Articulating the theatricality of architecture: The Persians at FIBUA. International Federation Theatre Research Architecture Working Group Symposium, Prague, Czech Republic, 01/01/2011.2011.
Space and Actor Formation. Theatre Research International 36 (3) pp. 228-239. 10.1017/S03078833110004602011.
Making Space for Performance. Studies in Theatre and Performance 30 (3) pp. 275-287. 10.1386/stap.30.3.275_12010.
Place, History, Authenticity. Regional Spaces, National Stages: Performance beyond London 1945-2010 Symposium, Reading, United Kingdom of Great Britain and Northern Ireland, 17/09/2010.2010.
Place, History, Authenticity. Theatre and Performance Research Association Annual Conference, Cardiff, United Kingdom of Great Britain and Northern Ireland, 01/01/2010.2010.
The 'dirty work' of the Lie. Performance Research 15 (2) pp. 123-129. 10.1080/13528165.2010.4904482010.
Architecture, Audience and Desire. International Federation for Theatre Research Conference, Lisbon, Portugal, 01/01/2009.2009.
Duplicitous Sites: Misperforming Parliament. 15th Performance Studies International Conference, Zagreb, Croatia, 24/06/2009 - 28/06/2009.2009.
Terrains of Power: Performing Parliamentary Architecture. Living Landscapes – An international conference on performance, landscape and environment, Aberystwyth, United Kingdom of Great Britain and Northern Ireland, 18/06/2009 - 21/06/2009.2009.
Minding the Gap: The Performer in the Wings. New Theatre Quarterly 24 (2) pp. 158-169. 10.1017/s0266464x080001342008.
The place of theatre practice: training and aesthetic tradition at Belvoir Street. Australasian Drama Studies 53 pp. 111-127.2008.
Gay McAuley: A leading figure in Australian Performance Studies. SemiotiX Other2007.
New Theatre Writing: Where Does The Money Go? A Statistical Review. Playwriting Australia2007.
Review of ‘Ethno-techno: Writing on Performance, Activism, and Pedagogy’ by Guillermo Gómez-Peña. Australasian Drama Studies 502007.
‘Implacing’ Theatre Practice: A Theoretical Framework. International Federation for Theatre Research Theatre Architecture Working Group symposium, Prague, Czech Republic, 01/01/2007.2007.
A Topography of Sydney Practitioner Space. 2006 Australasian Association for Theatre, Drama and Performance Studies conference, Sydney, Australia, 04/07/2006 - 07/07/2006.2006.
Sydney Style: The Performative Implications of ‘Found’ Theatre Space’. 1st International Symposium on Environment, Behaviour and Society, Sydney, Australia, 09/02/2006 - 11/02/2006.2006.
The Sydney Opera House: Design, History and Theatrical Haunting. In I. Eynat-Confino, E. Sormova (eds), Patronage, Spectacle and the Stage. Art and Theatre Institute, Prague pp. 132-141.2006.
Within and Without: Containing the Heart of PQ. 2005 Australasian Association for Theatre, Drama and Performance Studies conference, Wagga Wagga, Australia, 04/07/2005 - 07/07/2005.2005.
Somewhere Between the Dressing Room and The Stage: Wrestling with the Wings. 2004 Australasian Association for Theatre, Drama and Performance Studies conference, Wellington, New Zealand, 30/06/2004 - 03/07/2004.2004.
The Sydney Opera House: Design, History and Theatrical Inhabitation. International Federation for Theatre Research Scenography Working Group conference, Prague, Czech Republic, 01/01/2003.2003.