Programme Specifications

Fine Art


1 : Awarding Institution / Body
Aberystwyth University

2a : Teaching Institution / University
Aberystwyth University

2b : Work-based learning (where appropriate)


Information provided by School of Art:

N/A



3a : Programme accredited by
Aberystwyth University

3b : Programme approved by
Aberystwyth University

4 : Final Award
Master of Arts

5 : Programme title
Fine Art

6 : UCAS code
W191

7 : QAA Subject Benchmark


Information provided by School of Art:



8 : Date of publication


Information provided by School of Art:

September 2023



9 : Educational aims of the programme


Information provided by School of Art:

The programme aims to:

  • Offer advanced training in the subject of Fine Art.

  • Provide opportunities for students to develop specialised knowledge, understanding and proficiency in the discipline of their choice.

  • Provide opportunities for students to develop, sustain, consolidate and resolve a self-directed programme of work over an extended period.

  • Develop advanced understanding of relevant conceptual, theoretical and historical frameworks.

  • Encourage students to develop their aesthetic sensibility, creativity, curiosity, and artistic identity.

  • Provide knowledge and understanding in practicalities of exhibition preparation, installation and curation.

  • Provide opportunities for students to develop a broad range of subject-specific and transferrable skills that will equip them for further study and/or their future career (in particular as fine artists, art educators, professionals in the heritage sector, and cultural industries).



10 : Intended learning outcomes


Information provided by School of Art:

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and otherattributes in the following areas:



10.1 : Knowledge and understanding


Information provided by School of Art:

Knowledge and understanding of:

  • A1 Selected disciplines, media and processes: their nature and techniques and the relationship between materials, ideas, processes, contexts and outcomes.

  • A2 The fundamental issues, contexts, concepts, theories, and debates (historical, contemporary, cultural settings) in art and visual culture and how they relate to the student’s artistic practice.

  • A3 The contemporary art world and cultural industries, including the variety of opportunities for graduate employment; the significance of the work of other practitioners; major developments in current and emerging media and technologies; the role and impact of intellectual property; and the issues which arise from artistic self-promotion, the creative practitioner’s relationships with audiences, galleries, clients, markets, environments, users, consumers, and/or participants.

  • A4 Factors related to initial employment in Higher Education teaching in fine art /Art History and professional business practice as artists.

Teaching, learning and assessment methods used to enable outcomes to be achieved and demonstrated:

  • 1:1 tutorials

  • Small group tutorials and crits

  • Seminars

  • Lectures (synchronous and asynchronous)

  • Workshops

  • Guided independent practice

  • Guided independent research

Assessment methods used to enable outcomes to be demonstrated:

  • Portfolio

  • Exhibition

  • Professional projects

  • Observation

  • Reports

  • Essay

  • Visual analysis

  • Reflective writing

  • Presentation (live and recorded)

  • Exhibition project

  • Critical journal

  • Literature review

  • Annotated bibliography

  • Essay plan



10.2 : Skills and other attributes


Information provided by School of Art:

10.2.1 Intellectual Skills

  • B1 Creative skills: creatively and imaginatively conceive, produce, promote, and disseminate artefacts.

  • B2 Visual skills: to observe, record, analyse, translate, develop, and communicate.

  • B3 Interpretive skills: discern and explain the meaning and significance of works of art created by oneself and others, drawing on close observation, personal response, knowledge of techniques, relevant theoretical and methodological debates, historical context, and contemporary relevance; produce logical and structured narratives and arguments, supported by relevant evidence.

  • B4 Cognitive skills: find creative solutions to aesthetic, practical, and theoretical problems; generate ideas independently and in response to own enquiry; make connections between intention, process, outcome, context, and methods of dissemination.

  • B5 Open-mindedness: identify the merits of unfamiliar arguments or cultural artefacts and the merits or shortcomings of familiar ones; appreciate and evaluate divergent points of view and to communicate their qualities; engage constructively with feedback and critique of one’s own work.

10.2.2 Practical skills

  • C1 Making skills: develop a body of advanced and ambitious studio work through experimentation, technical innovation, and independent reflection on making in the creative translation of ideas into practice, drawing on research on historical and contemporary contexts, technical skill and knowledge in traditional and contemporary processes, and selecting and using materials, processes, and environments.

  • C2 Presentation skills: present bodies of work professionally and effectively, demonstrating awareness of audience and contexts; present and promote oneself as a creative professional; write text for a variety of purposes to support one’s artistic practice.

  • C3 Communication skills: communicate information, arguments, and ideas cogently and effectively within a range of discourses as appropriate to particular audiences, and in written, spoken, or other form using appropriate visual aids and information technology resources; particular abilities in the deployment of visual material in conjunction with written, oral, and other forms of communication; the ability to listen effectively, and to participate constructively in discussion and debate.

  • C4 Research skills: capacity for critical, effective, and testable information retrieval and organisation; ability to design and carry out a research project with limited tutorial guidance.

  • C5 Professional skills: fundamental skills appropriate to teaching, learning, and assessment in Higher Education and in promotion of artistic work



10.3 : Transferable/Key skills


Information provided by School of Art:

  • D1 Teamwork: the ability to work constructively and productively in teams.

  • D2 Diligence: undertake and complete set tasks, whether routine and familiar or requiring the acquisition and application of new skills.

  • D3 Autonomy: generate ideas, concepts, proposals, solutions, or arguments independently; develop an independent practice that is informed by, but not dependent on, the work of others.

  • D4 Time management and personal initiative: work to own briefs and deadlines, including managing concurrent projects; take responsibility for one’s own work; reflect on one’s own learning and make constructive use of feedback; take shared responsibility for one’s own course of studies.

  • D5 Critical engagement: formulate and articulate reasoned, independent judgements and arguments, supported by analysis of evidence and experiences, and informed by, but not dependent on, the ideas and arguments of others.

  • D6 Problem solving identify, analyse, and creatively solve problems individually or as part of a team.

Transferable/key skills are generally incorporated within modules and assessed as part of the module’s learning outcomes (where appropriate). However, a number of these skills are specifically taught and learned within the context of a professional skill training modules: AM0320 Vocational Practice.



11 : Program Structures and requirements, levels, modules, credits and awards



MA Fine Art [W191]

Academic Year: 2023/2024 scheme - available from 2002/2003

Duration (studying Full-Time): 1 years

Part 1 Rules

Year 1 Core (100 Credits)

Compulsory module(s).

Semester 1
AHM1000

Artworld: Contemporary Practice in Context (for Students of Fine Art)

ARM0120

Vocational Practice

Semester 2
AHM1020

Artworld: Contemporary Practice in Context (for Students of Fine Art)

ARM0460

Exhibition 1: Consolidation

Year 1 Core (60 Credits)

Compulsory module(s).

Semester 3
ARM0260

Exhibition 2: Resolution

Year 1 Timetable Core/Student Option

You must take the following module, choose a semester 1 or 2:

Semester 1
ARM0520

Portfolio: Development

Semester 2
ARM0520

Portfolio: Development


12 : Support for students and their learning
Every student is allocated a Personal Tutor. Personal Tutors have an important role within the overall framework for supporting students and their personal development at the University. The role is crucial in helping students to identify where they might find support, how and where to seek advice and how to approach support to maximise their student experience. Further support for students and their learning is provided by Information Services and Student Support and Careers Services.

13 : Entry Requirements
Details of entry requirements for the scheme can be found at http://courses.aber.ac.uk

14 : Methods for evaluating and improving the quality and standards of teaching and learning
All taught study schemes are subject to annual monitoring and periodic review, which provide the University with assurance that schemes are meeting their aims, and also identify areas of good practice and disseminate this information in order to enhance the provision.

15 : Regulation of Assessment
Academic Regulations are published as Appendix 2 of the Academic Quality Handbook: https://www.aber.ac.uk/en/aqro/handbook/app-2/.

15.1 : External Examiners
External Examiners fulfill an essential part of the University’s Quality Assurance. Annual reports by External Examiners are considered by Faculties and Academic Board at university level.

16 : Indicators of quality and standards
The Department Quality Audit questionnaire serves as a checklist about the current requirements of the University’s Academic Quality Handbook. The periodic Department Reviews provide an opportunity to evaluate the effectiveness of quality assurance processes and for the University to assure itself that management of quality and standards which are the responsibility of the University as a whole are being delivered successfully.