Dr Samuel Raybone
Lecturer in Art History
Contact Details
- Email: sar69@aber.ac.uk
- ORCID: 0000-0002-1440-1732
- Office: 217, Edward Davies Buidling
- Phone: +44 (0) 1970 622465
- Personal Website: www.raybone.com
- Google Scholar: https://scholar.google.co.uk/citations?user=OV0bEz4AAAAJ
- Research Portal Profile
Profile
I am a historian of nineteenth-century art and visual cultures, specialising in the history and historiography of Impressionism. I aim to expand and nuance our understanding of Impressionism's origins, development, and scope by recovering neglected forms of visual evidence and examining marginalised cultures, spaces, and practices, all seen through the lens of innovative methodologies.
My book Gustave Caillebotte as Worker, Collector, Painter, now in paperback, re-interprets the career of this once-forgotten painter by foregrounding his compulsions to work and to collect.
My current research project, Ephemeral Impressions: Impressionism in the Age of Ephemera examines the impact of colour-printed ephemera (transient, disposable images like restaurant menus, advertising cards, and packaging) on the development of Impressionist aesthetics.
Concurrently, I am engaging with decolonial art history to unpick the complex relationships between transnational circuits and national imaginaries in the collection, display, and reception of Impressionism in Wales.
I teach and supervise broadly on European art and visual culture in the eighteenth, nineteenth, and twentieth centuries; global modernities and modernisms; photography from 1839 to the contemporary; critical theory and research methodologies; and art historiography.
Teaching
Module Coordinator
- AH32020 - Dissertation
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AH20520 - Modernisms: Art in the Early Twentieth Century
- AH11720 - Representing the Body
- AHM0460 - Dissertation
- AH30020 - The Pre-Raphaelites
- AH20020 - The Pre-Raphaelites
Attendance Dept Admin
- PGM0410 - Ways of Reading
- AR25420 - Interdisciplinary Practice 4
- AR30130 - Exhibition 1: Graduation Show
- AR31730 - Painting 5 - Paint Directed Practice
- AR32440 - Book Illustration 4
- AR21620 - Photography 3
- AR22210 - Life Studies 2
- AR15420 - Interdisciplinary Practice 2
- AHM0460 - Dissertation
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AR35320 - Interdisciplinary Practice 5
- AR32040 - Printmaking 6 - Print Directed Practice
- AR21030 - Painting 4
- AR21820 - Book Illustration 1
- AR22320 - Printmaking 1: Etching and Relief Printing
- AR11320 - Drawing: Extended Practice
- AH11720 - Representing the Body
- AR35420 - Interdisciplinary Practice 6
- ARM0460 - Exhibition 1: Consolidation
- AR22630 - Printmaking 4: Screenprinting, lithography & hybrid printing
- AR22520 - Printmaking 3: Screenprinting, lithography & hybrid printing
- AH20520 - Modernisms: Art in the Early Twentieth Century
- PGM2910 - Research Writing Programme
- ARM0520 - Portfolio: Development
- AR24420 - Photographic Practice IV: Documentary Storytelling
- AR31610 - Life Studies 3
- AR21730 - Photography 4
- AHM1020 - Artworld: Contemporary Practice in Context (for Students of Fine Art)
- AR11520 - Photographic Practice I: Presence/Place
- AR11620 - Photographic Practice II: Identity/Face
- AH11820 - Photography Begins
- AR32240 - Photography 6 - Photo Directed Practice
- AR21930 - Book Illustration 2
- AR22110 - Life Studies 1
- AR23210 - Professional Practice for Students of Art
- AR24320 - Photographic Practice III: Constructed Images
- AR20830 - Photography 2
- AH32720 - Curating an Exhibition: Researching, Interpreting and Displaying
- AR11120 - Drawing: Looking, Seeing, Thinking
- AR11220 - Painting: Looking, Seeing, Thinking
- AH11220 - Exploring the School of Art Collections: Research and Museums
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AH21020 - Dissertation Preparation and Professional Practice for Students of Art History
- ARM0120 - Vocational Practice
- AR25320 - Interdisciplinary Practice 3
- AR20120 - Painting 1
- AR22430 - Printmaking 2: Etching and Relief Printing
- AR31840 - Painting 6 Paint Directed Practice
- AR31930 - Printmaking 5 - Print Directed Practice
- AR32130 - Photography 5 - Photo Directed Practice
- AR32540 - Exhibition 2: Graduation Show
- ARM0260 - Exhibition 2: Resolution
- AR30620 - Research and Process in Practice
- AR11420 - Painting: Extended Practice
- AR20720 - Photography 1
- AH32020 - Dissertation
- AHM0940 - Artworld: Contemporary Practice in Context (for Students of Art History)
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH20620 - Postmodernism and Contemporary Art
- AR32330 - Book Illustration 3
- AR15320 - Interdisciplinary Practice 1
- AR20230 - Painting 2
- AR20920 - Painting 3
- AHM0260 - Research Project
- AH30020 - The Pre-Raphaelites
- AH20320 - Methods and Materials for Art Historians
- AH20020 - The Pre-Raphaelites
- AR29930 - Introduction to Design and Illustration 2
- AR29820 - Introduction to Design and Illustration 1
- AH30120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH20120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH30620 - The Image Multiplied: European Printmaking since 1400
- AH21620 - The Image Multiplied: European Printmaking since 1400
- AH30320 - Methods and Materials for Art Historians
- AH34020 - Documentary Photography
- AH24020 - Documentary Photography
- AH23120 - Adaptation: Versions, Revisions and Cultural Renewal
- AH33120 - Adaptation: Versions, Revisions and Cultural Renewal
Blackboard Dept Admin
- AR25420 - Interdisciplinary Practice 4
- AR30620 - Research and Process in Practice
- AR22320 - Printmaking 1: Etching and Relief Printing
- AHM0460 - Dissertation
- AH20520 - Modernisms: Art in the Early Twentieth Century
- AR22520 - Printmaking 3: Screenprinting, lithography & hybrid printing
- AR11320 - Drawing: Extended Practice
- AR11420 - Painting: Extended Practice
- AR11620 - Photographic Practice II: Identity/Face
- AH21020 - Dissertation Preparation and Professional Practice for Students of Art History
- PGM0410 - Ways of Reading
- AR32240 - Photography 6 - Photo Directed Practice
- AR24320 - Photographic Practice III: Constructed Images
- AR20720 - Photography 1
- AR21620 - Photography 3
- AR11120 - Drawing: Looking, Seeing, Thinking
- AR15420 - Interdisciplinary Practice 2
- AH32020 - Dissertation
- AH20620 - Postmodernism and Contemporary Art
- AR32330 - Book Illustration 3
- ARM0260 - Exhibition 2: Resolution
- ARM0520 - Portfolio: Development
- AR22630 - Printmaking 4: Screenprinting, lithography & hybrid printing
- AR24420 - Photographic Practice IV: Documentary Storytelling
- AR25320 - Interdisciplinary Practice 3
- AR30130 - Exhibition 1: Graduation Show
- AR20120 - Painting 1
- AR22110 - Life Studies 1
- AR22210 - Life Studies 2
- AHM1020 - Artworld: Contemporary Practice in Context (for Students of Fine Art)
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AR31930 - Printmaking 5 - Print Directed Practice
- AR35320 - Interdisciplinary Practice 5
- AR21820 - Book Illustration 1
- AR20830 - Photography 2
- AR20920 - Painting 3
- AR21030 - Painting 4
- AH32720 - Curating an Exhibition: Researching, Interpreting and Displaying
- AHM0260 - Research Project
- AHM0940 - Artworld: Contemporary Practice in Context (for Students of Art History)
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AR32440 - Book Illustration 4
- ARM0460 - Exhibition 1: Consolidation
- AR32040 - Printmaking 6 - Print Directed Practice
- AR21730 - Photography 4
- AR21930 - Book Illustration 2
- AR11520 - Photographic Practice I: Presence/Place
- AR15320 - Interdisciplinary Practice 1
- AH11220 - Exploring the School of Art Collections: Research and Museums
- PGM2910 - Research Writing Programme
- AR31840 - Painting 6 Paint Directed Practice
- AR32130 - Photography 5 - Photo Directed Practice
- AR32540 - Exhibition 2: Graduation Show
- AR35420 - Interdisciplinary Practice 6
- ARM0120 - Vocational Practice
- AR22430 - Printmaking 2: Etching and Relief Printing
- AR23210 - Professional Practice for Students of Art
- AR31610 - Life Studies 3
- AR31730 - Painting 5 - Paint Directed Practice
- AR11220 - Painting: Looking, Seeing, Thinking
- AR20230 - Painting 2
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH11720 - Representing the Body
- AH11820 - Photography Begins
- AH20320 - Methods and Materials for Art Historians
- AH30020 - The Pre-Raphaelites
- AH20020 - The Pre-Raphaelites
- AR29820 - Introduction to Design and Illustration 1
- AR29930 - Introduction to Design and Illustration 2
- AH30120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH20120 - Enlightenment and Empire: Museums, Knowledge, and Meaning
- AH21620 - The Image Multiplied: European Printmaking since 1400
- AH24020 - Documentary Photography
- AH30320 - Methods and Materials for Art Historians
- AH34020 - Documentary Photography
- AH30620 - The Image Multiplied: European Printmaking since 1400
- AH33120 - Adaptation: Versions, Revisions and Cultural Renewal
- AH23120 - Adaptation: Versions, Revisions and Cultural Renewal
Tutor
Coordinator
- AH30020 - The Pre-Raphaelites
- AH20020 - The Pre-Raphaelites
- AH11520 - Looking into Landscape: Reading, Researching, Responding
- AH11320 - Pleasure, Power, and Profit: Art in the Long Eighteenth Century
- AH32020 - Dissertation
- AH11720 - Representing the Body
- AH11420 - Revolutions & Modernities: Art in the Nineteenth Century
- AH20520 - Modernisms: Art in the Early Twentieth Century
- AHM0460 - Dissertation
Publications
Raybone, S 2025, 'Gustave Caillebotte' ImpressionnismeS. <https://impressionnismes.fr/personalite/gustave-caillebotte-eng/>
Raybone, S 2024, La « richesse laborieuse » de Caillebotte. in S Allan, G Groom & P Perrin (eds), Caillebotte, peindre les hommes. Éditions Hazan, Paris, France.
Raybone, S 2024, 'Review of Gawkers: Art and Audience in Late Nineteenth-Century France by Bridget Alsdorf', H-France Review, vol. 24, no. 46. <https://h-france.net/vol24reviews/vol24no46Raybone.pdf>
Raybone, S 2024, 'Review of Looking Out by Peter Lord', International Journal of Welsh Writing in English, vol. 11, no. 1. 10.16995/wwe.11093
Raybone, S 2023, L'impressionnisme philatélique de Gustave Caillebotte. in S Le Men & O Schuwer (eds), Le musée imaginaire des impressionnistes. Presses universitaires de Paris Nanterre, Paris.
More publications on the Research Portal