- Dr Marianne Ailes (Senior Lecturer - University of Bristol)
|Delivery Type||Delivery length / details|
|Lecture||10 x 1 Hour Lectures|
|Seminar||10 x 1 Hour Seminars|
|Assessment Type||Assessment length / details||Proportion|
|Semester Exam||2 Hours written examination (2 essay questions or 1 essay question + 1 text analysis, equally weighted)||60%|
|Semester Assessment||Continuous assessment: Two essays or textual analyses of 1500 - 2000 words each, equally weighted||40%|
|Supplementary Exam||2 Hours written examination (2 essay questions or 1 essay question + 1 text analysis, equally weighted)||100%|
On successful completion of this module students should be able to:
1. Demonstrate a better grasp of French language and registers.
2. Develop and demonstrate analytical skills in relation to French literary texts, in particular from a narrative point of view.
3. Develop a knowledge of various writing techniques and schools seminal to French culture, and an understanding of
different forms of narratives.
4. Historically contextualise the studied texts.
5. Demonstrate a cultural awareness of the relevance of narratives to contemporary French issues.
This additional option module has two main focuses. We study the development of narrative in French literature, from 19thc. to 20thc., from Maupassant to the Nouveau Roman, focussing on shorter forms of narratives and how these purport to give an account of the society in which they were produced. This will be accompanied by a practical training in the use of key methods of textual study.
This module tackles crucial issues of textual analysis, in particular from a narrative point of view. Appropriate theoretical frameworks will also be introduced. Seminars will focus on developing students' analytical and close-reading skills. Students will develop their understanding of various late 19th - and 20th -century writing techniques and the key issues tackled by these texts (the unknown; the place of women; social criticism etc.).
Maupassant (Introduction generale)
Week 2: Maupassant (< Le Horla I-II >)
Maupassant (< Le Horla I-II >)
Week 3: Maupassant (< Boule de Suif >)
Maupassant (< Mademoiselle Fifi >)
Week 4: Maupassant (< La Mere sauvage >)
Maupassant (< La chambre 39 >)
Week 5: La technique du < commentaire compose >
Week 6: Mauriac (Recit lineaire et non-lineaire ; le flashback)
Mauriac (La femme et la societe)
Week 7: Gide (Lieu et non-lieu : l'espace de la narration)
Mauriac (Absence et presence de Dieu dans la narration)
Week 8: Duras (Composition), Duras (Themes et motifs)
Week 9: Duras (Strategies d'interaction)
Duras (Procedes d'argumentation)
Week 10: Duras (Renouveau stylistique), Conclusions generales
|Skills Type||Skills details|
|Application of Number||Possibly, evaluation of statistical data in the secondary reading.|
|Communication||Oral communication developed in seminar; written communication developed in assessments and exam.|
|Improving own Learning and Performance||Students will be able to assess their own progress week by week through their increased understanding of the issues raised and the skills developed.|
|Information Technology||Use of on-line journals and source collections; delivery of course materials and information via email and e-learning system.|
|Personal Development and Career planning||Acquisition of transferable skills; in-depth acquaintance with literary/cultural studies as an academic subject.|
|Problem solving||Selection of appropriate reading material; development of evaluative analysis and critical skills and formulation of detailed arguments; answering questions posed by written assessment; seminar work.|
|Research skills||Preparation of written assessment; preparation for seminars; detailed analysis of literary texts and contexts.|
|Subject Specific Skills||Acquisition of French linguistic skills and detailed analysis of literary texts and wider cultural contexts.|
|Team work||Debates and group presentations in seminars.|
This module is at CQFW Level 6