Cynlluniau Astudio

Photography / Creative Writing


1 : Awarding Institution / Body
Aberystwyth University


2a : Teaching Institution / University
Aberystwyth University


2b : Work-based learning (where appropriate)


Information provided by School of Art
-

N/A



3a : Programme accredited by
Aberystwyth University


3b : Programme approved by
Aberystwyth University


4 : Final Award
Bachelor of Arts


5 : Programme title
Photography / Creative Writing


6 : UCAS code
WW68


7 : QAA Subject Benchmark


Information provided by School of Art
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Art and Design

History of Art, Architecture and Design



8 : Date of publication


Information provided by School of Art
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September 2023



9 : Educational aims of the programme


Information provided by School of Art
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The new joint honours BA Photography offers a study of the practice and language of photography combined with a cognate subject. It considers photography both as art form and as document. The scheme provides for imaginative, creative endeavour in a wide range of photographic practices, offers contextual and historical study, and fosters independent research as well as the analysis and interpretation of photographic images.

Students will engage in a critical and creative dialogue with the work of their peers and gain an understanding of historic and contemporary visual cultures. They will study the artistic, intellectual, social and professional contexts that shape creative practice in photography (within the contexts of the visual arts more generally) and learn how to best communicate this knowledge in a range of written, oral, visual and practical forms.

Vocation-oriented modules prepare students for careers involving photographic practices – whether commercial, gallery or editorially focussed.



10 : Intended learning outcomes


Information provided by School of Art
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The BA Photography half of the joint honours scheme aims to:

1. encourage creativity;

2. support a variety of individual creative, contemporary practices;

3. explore the interdisciplinarity of contemporary artistic practices;

4. encourage a range of visual research methodologies;

5. ensure students are alert to the photo-historical and contemporary practices/contexts within which they work;

6. provide a supportive studio environment;

7. involve students in the dialectical nature of artistic production;

8. draw on staff research interests and expertise, ensuring that teaching is relevant and up to date;

9. introduce the fundamentals of research, analysis and argumentation.



10.1 : Knowledge and understanding


Information provided by School of Art
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A1 Knowledge of a clear and defined relationship between personal practice and contemporary cultural production.

A2 Detailed appreciation of contemporary and historic photographic practices.

A3 Recognition of the transdisciplinarity of contemporary photographic practices and the ability to go beyond common medium boundaries.

A4 Awareness of the international context of contemporary visual production.

A5 Focussed use of materials/medium/strategies in relation to individual practice.

A6 Apply critical visual analyses to key examples of historical and contemporary photographic practices.

A7 Employ critical thinking with regard to the presentation and installation of individual practice.

A8 Critical, self-reflective awareness of the appropriate use of methods/materials/strategies within personal photographic practice.

Learning and Teaching: Seminars, workshops, practicals, demonstrations, lectures, tutorials and group crits, field trips and creative and written projects.

Assessment Strategies and Methods: Portfolio presentations, essays, presentations, exhibitions, photographic projects, notebooks, and critical portfolio evaluations.



10.2 : Skills and other attributes


Information provided by School of Art
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10.2.1 Intellectual Skills

By the end of their programme, all students are expected to be able to demonstrate:

B1 Significant responsibility to provide a critical basis for meaningful and enduring praxis.

B2 Resourcefulness and creativity in working processes from conception to execution.

B3 A developed personal practice viewed in relation to their national culture and with an understanding of international culture.

B4 A sophisticated understanding of creative photographic practices from an aesthetic, institutional, and social standpoint.

B5 A critical engagement with creative photographic practices from a range of art historical perspectives.

Learning and Teaching: Seminars, practical workshops, lectures, masterclasses with visiting photographers, tutorials and group tutorials.

Assessment Strategies and Methods: Essays, presentations, exhibitions, practical projects, notebooks, critical evaluations.

10.2.2 Professional practical skills / Discipline Specific Skills

By the end of their programme, all students are expected to be able to demonstrate:

C1 An ability to critically evaluate working processes from idea through to execution.

C2 A capacity to present and contextualise work to an informed audience.

C3 The facility to identify and develop appropriate methods for presenting personal practice.

C4 An appropriate and coherent dossier of research.

C5 Significant engagement in photographic portfolio production and art historical critical analysis.

Learning and Teaching: Seminars, practical workshops, lectures, masterclasses with visiting photographers, tutorials and group tutorials.

Assessment Strategies and Methods: Essays, presentations, practical projects, sketchbooks, critical evaluations.



10.3 : Transferable/Key skills


Information provided by School of Art
-

By the end of their programme, all students are expected to be able to demonstrate:

D1 An ability to organise and manage workload according to deadlines, both individually and as part of a team.

D2 Highly developed problem-solving skills related to both concept and practice.

D3 An ability to structure and communicate ideas effectively using a variety of means.

D4 Ability to quantify materials and costings for professional projects.

D5 Power to utilise the most appropriate technologies that effectively communicate working methods and ideas at an advanced level.

Learning and Teaching: Seminars, lectures, tutorials, workshops, practical projects, field trips

Assessment Strategies and Methods: Essays, presentations, practical projects, notebooks, critical evaluations.



11 : Program Structures and requirements, levels, modules, credits and awards




BA Photography / Creative Writing [WW68]

Blwyddyn Academaidd: 2023/2024Cynllun Anrhydedd Cyfun - ar gael ers 2020/2021

Hyd (astudio Llawn Amser): 3 blwyddyn

Rheolau Rhan 1

Blwyddyn 1 Craidd (40 Credyd)

Compulsory module(s).

Semester 1
WR11020

Beginning Creative Writing Part 1

Semester 2
WR11120

Beginning Creative Writing Part 2

Blwyddyn 1 Craidd (60 Credyd)

Compulsory module(s).

Semester 1
AH11820

Photography Begins

AR11520

Photographic Practice I: Presence/Place

Semester 2
AR11620

Photographic Practice II: Identity/Face

Blwyddyn 1 Opsiynau

Choose one of the following

Semester 1
EN11220

American Literature 1819-1925

EN11300

Critical Practice

IC17700

Academic Writing: Planning, Process and Product

WL10120

Re-imagining Nineteenth-Century Literature

WL11420

Literature And The Sea

Semester 2
CL10120

Greek and Roman Epic and Drama

EN10220

Ancestral Voices

EN10520

Contemporary Writing

EN11320

Critical Practice

IC13420

Language Awareness for TESOL

IC17720

Academic Writing: Planning, Process and Product

WL10420

Introduction to Poetry

Rheolau Rhan 2

Blwyddyn 2 Craidd (20 Credyd)

Compulsory module(s).

Semester 1
WR20220

Beginning the Novel

Semester 2

Blwyddyn 2 Craidd (40 Credyd)

Compulsory module(s).

Semester 1
AR24320

Photographic Practice III: Constructed Images

Semester 2
AR24420

Photographic Practice IV: Documentary Storytelling

Blwyddyn 2 Opsiynau

Must take 20 credits

Semester 2
AH22820

Thinking Photography

Blwyddyn 2 Opsiynau

Choose at least 20 credits and a maximum of 40 credits from the following:

Semester 1
IC27720

Effective Academic and Professional Communication 1

WR21120

Telling True Stories: ways of Writing Creative Non-Fiction

WR22120

Adventures with Poetry

Semester 2
IC27720

Effective Academic and Professional Communication 1

WL20320

Short stories: Grit and Candour

WL20720

A Century in Crisis: 1790s to 1890s

WR20620

Writing Selves

WR21720

Shaping Plots

Blwyddyn 2 Opsiynau

You may choose up to 20 credits from the following:

Semester 1
CL20320

Classical Drama and Myth

EN20120

Literary Theory: Debates and Dialogues

EN20920

Literary Modernisms

EN21220

Literature and Climate in the Nineteenth Century

EN21620

Contemporary Queer Fiction

EN23120

In the Olde Dayes: Medieval Texts and Their World

EN28720

Writing Women for the Public Stage, 1670-1780

Semester 2
EN21020

Literary Geographies

EN21120

Contemporary Writing and Climate Crisis

EN22120

Place and Self

EN22920

Literature since the '60s

Blwyddyn Olaf Craidd (60 Credyd)

Compulsory module(s).

Semester 1
AR32130

Photography 5 - Photo Directed Practice

Semester 2
AR30130

Exhibition 1: Graduation Show

Blwyddyn Olaf Opsiynau

You may choose up to 20 credits from the following:

Semester 1
EN30120

Reading Theory / Reading Text

EN30520

Romantic Eroticism

Semester 2
EN30320

Victorian Childhoods

EN30420

Writing in the Margins: Twentieth-Century Welsh Poetry in English

EN30820

Haunting Texts

EN31320

The Mark of the Beast: Animals in Literature from the 1780s to the 1920s

Blwyddyn Olaf Opsiynau

You must choose at least 40 credits and a maximum of 60 credits from the following:

Semester 1
IC37820

Effective Academic and Professional Communication 2

WL30620

Remix: Chaucer In The Then and Now

WL35320

Literatures of Surveillance

WR30000

The Writing Project

WR31920

Writing Horror

WR32120

Writing and Place

WR32620

Writing Music

WR32820

Humour and Conflict in Contemporary Writing

Semester 2
EN33620

Ali Smith and 21st Century fiction(s)

IC37820

Effective Academic and Professional Communication 2

WR30040

The Writing Project

WR31220

Poetry for today

WR31820

Crisis Writing

WR32420

Writing Crime Fiction

WR32720

Big Ideas: Writing Popular Science


12 : Support for students and their learning
Every student is allocated a Personal Tutor. Personal Tutors have an important role within the overall framework for supporting students and their personal development at the University. The role is crucial in helping students to identify where they might find support, how and where to seek advice and how to approach support to maximise their student experience. Further support for students and their learning is provided by Information Services and Student Support and Careers Services.


13 : Entry Requirements
Details of entry requirements for the scheme can be found at http://courses.aber.ac.uk


14 : Methods for evaluating and improving the quality and standards of teaching and learning
All taught study schemes are subject to annual monitoring and periodic review, which provide the University with assurance that schemes are meeting their aims, and also identify areas of good practice and disseminate this information in order to enhance the provision.


15 : Regulation of Assessment
Academic Regulations are published as Appendix 2 of the Academic Quality Handbook: https://www.aber.ac.uk/en/aqro/handbook/app-2/.


15.1 : External Examiners
External Examiners fulfill an essential part of the University’s Quality Assurance. Annual reports by External Examiners are considered by Faculties and Academic Board at university level.


16 : Indicators of quality and standards
The Department Quality Audit questionnaire serves as a checklist about the current requirements of the University’s Academic Quality Handbook. The periodic Department Reviews provide an opportunity to evaluate the effectiveness of quality assurance processes and for the University to assure itself that management of quality and standards which are the responsibility of the University as a whole are being delivered successfully.