Dr Karoline Gritzner

MagPhil (Graz, Austria), MA (Aberystwyth), PhD (Aberystwyth), PGCTHE, FHEA

Dr Karoline Gritzner

Lecturer in Theatre Studies

Manylion Cyswllt

Gwybodaeth Ychwanegol

Arholi Allanol

Arholwr Allanol (BA Saesneg a Drama) ym Mhrifysgol Fetropolitan Caerdydd (o 2009 i'r presennol)

Aelodaeth y Bwrdd Golygyddol:

Critical Engagements: A Journal of Theory and Criticism (Rhwydwaith y DU ar gyfer Astudiaethau Ffuglen Modern)

Consciousness, Literature and the Arts

Dysgu

Ymchwil

Fy ddiddordeb ymchwil canolog yn gorwedd yn y rhyng-gysylltiadau rhwng athroniaeth (Damcaniaeth Feirniadol ac athroniaeth cyfandirol) a theatr, drama a pherfformiad. Diddordebau ymchwil eraill yn cynnwys Drama cyfoes Prydain ac Iwerddon, Theatr Ewropeaidd Modern, Rhyw a Rhywioldeb. Yr wyf yn cyd-drefnu symposiwm ar 'Theatrical Aesthetics of Eroticism and Death' ym Mhrifysgol Aberystwyth yn 2004 a, gyda'r Athro David Ian Rabey, y gynhadledd ryngwladol gyntaf ar 'Howard Barker's Art of Theatre' ym mis Gorffennaf 2009.



Oriau Swydda (Amseroedd Cyswllt Myfyrwyr)

  • Dydd Mawrth 14:00-17:00

Cyhoeddiadau

Between Commodification and Emancipation: The Tango EncounterGritzner, K. 2017 In : Dance Research.35, 1, p. 49-6012 p.
Memory / Fragments / Performance: On Qasim Riza Shaheen Sixteen Years LaterGritzner, K. 2016 The Last Known Pose: Essays and Reflections on the Works of Qasim Riza Shaheen. Albinnson, K., Clarke, C., Dudley, S. H. & Pearl, M. (eds.). Cornerhouse Publications
Adorno, the Sublime and Live PerformanceGritzner, K. 2016 In : European Legacy.21, 7, p. 633-64311 p.
Adorno and Modern Theatre: The Drama of the Damaged Self in Bond, Rudkin, Barker and KaneGritzner, K. 2015 Springer Nature. 224 p.
Tragedy, Immanence and the Persistence of SemblanceGritzner, K. 2015 In : Performance Philosophy.1, 1, p. 126-1327 p.
Adorno and PerformanceDaddario, W. (ed.) & Gritzner, K. (ed.) 2014 Springer Nature. 256 p. (Performance Philosophy)
Thoughts which do not understand themselves: on Adorno's 'Dream Notes'Gritzner, K. 2014 Adorno and Performance. Daddario, W. & Gritzner, K. (eds.). Springer Nature, p. 38-5417 p. (Performance Philosophy)
Thoughts that can be dancedGritzner, K., Woycicki, P., Ellis, S. & Lipic, B. 2014
Red Sun and the Promise of MythGritzner, K. 2013 Red Sun and Merlin Unchained. Rudkin, D. (ed.). Intellect, p. 55-6915 p.
”You won’t want the moment to end”: Nick Cave in the Theatre, from King Ink to collaborating with VesturportGritzner, K. 2013 The Art of Nick Cave: New Critical Essays. Baker, J. H. (ed.). Intellect, p. 115-13521 p.
'You won't want the moment to end': Nick Cave in the theatre, from King Ink to collaborating with VesturportBaker, J. & Gritzner, K. 2013 The Art of Nick Cave: New Critical Essays. Baker, J. (ed.). Bristol, UK / Chicago, USA: Intellect, p. 115-13520 p.
Poetry and Intensification in Howard Barker’s Theatre of PlethoraGritzner, K. 2012 In : Studies in Theatre and Performance.32, 3, p. 337-3459 p.
The Fading of the Subject in Sarah Kane's Later WorkGritzner, K. 2012 Consciousness, Theatre, Literature and the Arts. Meyer-Dinkgräfe, D. (ed.). Cambridge Scholars Publishing, p. 249-2579 p.
On Philosophy and ParticipationCull, L. (ed.) & Gritzner, K. (ed.) 2011 In : Performance Research.16, 4, 142 p.
Form and Formlessness: Participation at the limitGritzner, K. 2011 In : Performance Research.16, 4, p. 109-1168 p.
On Participation in Art: A Conversation with Alexander Garcia DüttmannGritzner, K. 2011 In : Performance Research.16, 4, p. 136-1405 p.
EditorialCull, L. & Gritzner, K. 2011 In : Performance Research.16, 4, p. 1-66 p.
Crisis is the essential condition for art formsGritzner, K. & Rabey, D. 2011 Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Brown, M. (ed.). Intellect, p. 123-1308 p.
Spirit to Ashes, Performance to Dust: Derrida, Theatre de Complicite, and reopening the Question of a 'Holy Theatre'Gritzner, K. 2011 In : Performance and Spirituality.2, 1, p. 85-11025 p.
Desire and Destruction in the Drama of Georg BüchnerGritzner, K. 2010 Eroticism and Death in Theatre and Performance. Gritzner, K. (ed.). University of Hertfordshire Press, p. 46-6318 p.
IntroductionGritzner, K. 2010 Eroticism and Death in Theatre and Performance. Gritzner, K. (ed.). University of Hertfordshire Press, p. 1-1111 p.
Eroticism and Death in Theatre and PerformanceGritzner, K. (ed.) 2010 Hatfield: University of Hertfordshire Press.
On DramaturgyGritzner, K., Primavesi, P. & Roms, H. P. 2009 In : Performance Research.14, 3, p. 1-22 p., 1
(Post)Modern Subjectivity and the New-Expressionism: Howard Barker, Sarah Kane and Forced EntertainmentGritzner, K. 2008 In : Contemporary Theatre Review.18, 3, p. 328-34013 p.
Letter to Adorno: On the question of performaticsGritzner, K. 2008 In : Performance Research.13, 2, p. 110-1101 p.
Adorno on Tragedy: Reading Catastrophe in Late Capitalist CultureGritzner, K. 2007 In : Critical Engagements: A Journal of Criticism and Theory.1, 2, p. 25-5228 p.
Theatre of Catastrophe: New Essays on Howard BarkerRabey, D. I. (ed.) & Gritzner, K. (ed.) 2006 Oberon Books. 240 p.
Howard Barker in Conversation with David Ian Rabey and Karoline GritznerRabey, D. & Gritzner, K. 2006 Theatre of Catastrophe: New Essays on Howard Barker. Gritzner, K. & Rabey, D. I. (eds.). First ed. London: Oberon Books, p. 30-378 p.
Towards an Aesthetic of the Sublime in Howard Barker's TheatreGritzner, K. 2006 Theatre of Catastrophe: New Essays on Howard Barker. Gritzner, K. & Rabey, D. (eds.). Oberon Books, p. 83-9412 p.
Catastrophic Sexualities in Howard Barker's Theatre of TransgressionGritzner, K. 2005 Genealogies of Identity: Interdisciplinary Readings on Sex and Sexuality (At the Interface/Probing the Boundaries. Breen, M. S. & Peters, F. (eds.). Brill, p. 95-10612 p.