Myfyrwyr Ymchwil Presennol a'u Prosiectau
Student |
Project |
|---|---|
| Thomas Alcott | What social and cultural factors inform UK fan investment in the characters of professional wrestling? |
| Melissa Beattie | Televisual Epic, National Identity, and Torchwood's Fan Audiences |
| Judit Bodor | |
| Gregor Cameron |
Re-performing Who: Tracing Theatre Technique Through Television Time |
| Marios Chatziprkopiou | Dangerous Acts? The Performance and Politics of Lament in Contemporary Greece |
| Helen Davies | Does the media mediate or maintain minority language: a case study looking at children's television aimed at 7-11 year olds. |
| Tracy Evans | The Birth of the Maternal Subject: Narrative, rhythm and caesura in an autobiographical practice of birthstory-telling |
| Mads Floor Anderson | An Ecology of Walking |
| Lee Hassall | I Have Played The Fool. |
| Wei-Juei Wendy Hsieh | Bajiajiang as Religious Theatre: Belief, People, and Transformation of a Ritual Practice |
| Thomas Hale | Players as Producers and Panderers: "Let's Play" and the Pleasures of Vicarious Interactivity |
| Emma Heron | Wales, Womanhood and Me: A PaR Exploration of Postcolonial Female Identity in the Liverpool Welsh Community |
| Bethan Jones | Fandom is Beautiful (Except When it Isn't): Anti-fandom, hatred and ambivalence |
| Paul Jones | Borders |
| Lara Kipp |
Aesthetics of Tragedy: Tracing the Sublime in Howard Barker’s Scenography |
| Reuben Knutson | Evolving Communities, Evolving Landscapes |
| Tan Promkuhntong | On Becoming East Asian Auteurs: The Transnational Reputation Making Processes of Hong Kong’s Wong Kar-wai, Thailand’s Apichatpong Weerasethakul, and South Korea’s Kim Ki-duk |
| Kerrie Reading |
Animating Documents: Accessing and Making Live The Histories of Venues: Applying contemporary methods of performance practice as a means to make visible the history of alternative venues, with a focus on Chapter Arts Centre, Cardiff |
| Jess Rose | Re-Compositions of Rural 'Welsh Pride' Documents |
| Jennifer Spence |
Intra-Fandom Conflicts, Virtual Heteropias and the Controversy of Real Person Fiction |
| Brenton Spivey |
From the Warren: A Study of the Furry Fan Community |
| Jamie Terrill | An investigation of rural Welsh cinemas: their histories, memories and communities. |
| Ashley Wallington | (In)authentic Tendencies: Postdramatic Theatre with Young People. |
| James Woolley | Towards a Queer Archive of Performance. |
| Sophie van de Goor |
You must be new here: An examination of the conceptualisation of slash fan culture. |
| Madara Veipa |